WHAT IT MEANS
A Present Help
God is not distant in trouble; He is refuge and strength in the middle of it.
VERSE STUDY • KJV
To the chief Musician for the sons of Korah, A Song upon Alamoth. God [is] our refuge and strength, a very present help in trouble.
WHAT IT MEANS
God is not distant in trouble; He is refuge and strength in the middle of it.
CONTEXT
The psalm imagines earth-shaking chaos and political upheaval, yet repeatedly centers confidence on God’s presence.
APPLY IT
Use this verse as a prayer when circumstances feel unstable: God, be my refuge and strength today.
To the chief Musician for the sons of Korah, A Song upon Alamoth. God [is] our refuge and strength, a very present help in trouble.
For the choirmaster. Of the sons of Korah. According to Alamoth. A song. God is our refuge and strength, an ever-present help in times of trouble.
For the Chief Musician. By the sons of Korah. According to Alamoth. God is our refuge and strength, a very present help in trouble.
For the Chief Musician. A Psalm of the sons of Korah; set to Alamoth. A Song. God is our refuge and strength, A very present help in trouble.
To the Overseer.—By sons of Korah. ‘For the Virgins.’—A song. God is to us a refuge and strength, A help in adversities found most surely.
1 To the chief Musician for the sons of Korah, A Song upon Alamoth. God [is] our refuge and strength, a very present help in trouble.
2 Therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea;
3 [Though] the waters thereof roar [and] be troubled, [though] the mountains shake with the swelling thereof. Selah.
4 [There is] a river, the streams whereof shall make glad the city of God, the holy [place] of the tabernacles of the most High.
These Hebrew/Greek tokens are linked by Strong's number. Click one for its lexicon definition and other occurrences.
HISTORICAL INTERPRETATION
Compare classic commentaries on Psalm 46:1
Put Matthew Henry, Adam Clarke, Calvin, Wesley, Barnes, Jamieson–Fausset–Brown, Aquinas’ Catena and other public-domain sources beside the passage.
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