The second portion of this psalm gives us substantially the same thoughts under a different image. It considers God as the host, and us as the guests at His table and the dwellers in His house.
In this illustration, which includes the remaining verses, we have, as before, the food and rest, the journey and the suffering. We have also, as before, memory and present experience issuing in hope. But it is all intensified. The necessity and the mercy are alike presented in brighter colours; the want is greater, the supply greater, the hope for the future on earth brighter; and, above all, while the former set of images stopped at the side of the grave, and simply refused to fear, here the vision goes on beyond the earthly end; and as the hope comes brightly out, that all the weary wanderings will end in the peace of the Father's house, the absence of fear is changed into the presence of triumphant confidence, and the resignation which, at the most, simply bore to look unfaltering into the depth of the narrow house, becomes the faith which plainly sees the open gate of the everlasting home.
God supplies our wants in the very midst of strife. 'Thou preparest a table before me in the presence of mine enemies. Thou anointest my head with oil. My cup runneth over.' Before, it was food and rest first, work afterwards. Now it Is more than work--it is conflict. And the mercy is more strikingly portrayed, as being granted not only _before toil_, but _in warfare_. Life is a sore fight; but to the Christian man, in spite of all the tumult, life is a festal banquet. There stand the enemies, ringing him round with cruel eyes, waiting to be let slip upon him like eager dogs round the poor beast of the chase. But for all that, here is spread a table in the wilderness, made ready by invisible hands; and the grim-eyed foe is held back in the leash till the servant of God has fed and been strengthened. This is our condition--always the foe, always the table.
What sort of a meal should that be? The soldiers who eat and drink, and are drunken in the presence of the enemy, like the Saxons before Hastings, what will become of them? Drink the cup of gladness, as men do when their foe is at their side, looking askance over the rim, and with one hand on the sword, 'ready, aye ready,' against treachery and surprise. But the presence of the danger should make the feast more enjoyable too, by the moderation it enforces, and by the contrast it affords--as to sailors on shore, or soldiers in a truce. Joy may grow on the very face of danger, as a slender rose-bush flings its bright sprays and fragrant blossoms over the lip of a cataract; and that not the wild mirth of men in a pestilence, with their 'Let us eat and drink, for to-morrow we die,' but the simple-hearted gladness of those who have preserved the invaluable childhood gift of living in the present moment, because they know that to-morrow will bring God, whatever it brings, and not take away His care and love, whatever it takes away.
This, then, is the form under which the experience of the past is presented in the second portion,--joy in conflict, rest and food even in the strife. Upon that there is built a hope which transcends that in the previous portion of the psalm. As to this life, 'Goodness and mercy shall follow us.' This is more than 'I will fear no evil.' That said, sorrow is not evil if God be with us. This says, sorrow is mercy. The one is hope looking mainly at outward circumstances, the other is hope learning the spirit and meaning of them all. These two angels of God--Goodness and Mercy--shall follow and encamp around the pilgrim. The enemies whom God held back while he feasted, may pursue, but will not overtake him. They will be distanced sooner or later; but the white wings of these messengers of the covenant will never be far away from the journeying child, and the air will often be filled with the music of their comings, and their celestial weapons will glance around him in all the fight, and their soft arms will bear him up over all the rough ways, and up higher at last to the throne.