If, then, we follow the course of contemplation thus traced in the psalm, we have these three points brought before us--first, the thought of life common to both clauses; second, the gloomy, aimless hollowness which that thought breathes into life apart from God; third, the blessedness which springs from the same thought when we look at it in connection with our Father in heaven.
I. Observe the very forcible expression which is given here to the thought of life common to both verses.
'Every man walketh in a vain show.' The original is even more striking and strong. And although one does not like altering words so familiar as those of our translation, which have sacredness from association and a melancholy music in their rhythm--still it is worth while to note that the force of the expression which the Psalmist employs is correctly given in the margin, 'in an image'--or 'in a shadow.' The phrase sounds singular to us, but is an instance of a common enough Hebrew idiom, and is equivalent to saying--he walks in the character or likeness of a shadow, or, as we should say, he walks as a shadow. That is to say, the whole outward life and activity of every man is represented as fleeting and unsubstantial, like the reflection of a cloud which darkens leagues of the mountains' side in a moment, and ere a man can say, 'Behold!' is gone again for ever.
Then, look at the other image employed in the other clause of our text to express the same idea, 'I am a stranger and a sojourner, as all my fathers.' The phrase has a history. In that most pathetic narrative of an old-world sorrow long since calmed and consoled, when 'Abraham stood up from before his dead,' and craved a burying-place for his Sarah from the sons of Heth, his first plea was, 'I am a stranger and a sojourner with you.' In his lips it was no metaphor. He was a stranger, a visitor for a brief time to an alien land; he was a sojourner, having no rights of inheritance, but settled among them for a while, and though dwelling among them, not adopted into their community. He was a foreigner, not naturalised. And such is our relation to all this visible frame of things in which we dwell. It is alien to us; though we be in it, our true affinities are elsewhere; though we be in it, our stay is brief, as that of 'a wayfaring man that turns aside to tarry for a night.'
And there is given in the context still another metaphor setting forth the same fact in that dreary generalisation which precedes my text, 'Every man at his best state'--or as the word means, 'established,'--with his roots most firmly struck in the material and visible--'is only a breath.' It appears for a moment, curling from lip and nostril into the cold morning air, and vanishes away, so thus vaporous, filmy, is the seeming solid fact of the most stable life.
These have been the commonplaces of poets and rhetoricians and moralists in all time. But threadbare as the thought is, I may venture to dwell on it for a moment. I know I am only repeating what we all believe--and all forget. It is never too late to preach commonplaces, until everybody acts on them as well as admits them--and this old familiar truth has not yet got so wrought into the structure of our lives that we can afford to say no more about it.
'Surely every man walketh in a shadow.' Did you ever stand upon the shore on some day of that 'uncertain weather, when gloom and glory meet together,' and notice how swiftly there went, racing over miles of billows, a darkening that quenched all the play of colour in the waves, as if all suddenly the angel of the waters had spread his broad wings between sun and sea, and then how in another moment as swiftly it flits away, and with a burst the light blazes out again, and leagues of ocean flash into green and violet and blue. So fleeting, so utterly perishable are our lives for all their seeming solid permanency. 'Shadows in a career, as George Herbert has it--breath going out of the nostrils. We think of ourselves as ever to continue in our present posture. We are deceived by illusions. Mental indolence, a secret dislike of the thought, and the impostures of sense, all conspire to make us blind to, or at least oblivious of, the plain fact which every beat of our pulses might preach, and the slow creeping hands of every parish clock confirm. How awful that silent, unceasing footfall of receding days is when once we begin to watch it! Inexorable, passionless--though hope and fear may pray, 'Sun! stand thou still on Gibeon; and thou moon! in the valley of Ajalon,'--the tramp of the hours goes on. The poets paint them as a linked chorus of rosy forms, garlanded, and clasping hands as they dance onwards. So they may be to some of us at some moments. So they may seem as they approach; but those who come hold the hands of those who go, and that troop has no rosy light upon their limbs, their garlands are faded, the sunshine falls not upon the grey and shrouded shapes, as they steal ghostlike through the gloom--and ever and ever the bright and laughing sisters pass on into that funereal band which grows and moves away from us unceasing. Alas! for many of us it bears away with it our lost treasures, our shattered hopes, our joys from which all the bright petals have dropped! Alas! for many of us there is nothing but sorrow in watching how all things become 'part and parcel of the dreadful past.'