'Who hath woe? who hath sorrow? who hath contentions? who hath babbling? who hath wounds without cause? who hath redness of eyes? 30. They that tarry long at the wine; they that go to seek mixed wine. 31. Look not thou upon the wine when it is red, when it giveth his colour in the cup, when it moveth itself aright. 32. At the last it biteth like a serpent, and stingeth like an adder. 33. Thine eyes shall behold strange women, and thine heart shall utter perverse things. 34. Yea, thou shalt be as he that lieth down in the midst of the sea, or as he that lieth upon the top of a mast. 35. They have stricken me, shalt thou say, and I was not sick; they have beaten me, and I felt it not: when shall I awake! I will seek it yet again.'--PROVERBS xxiii. 29-35.
This vivid picture of the effects of drunkenness leaves its sinfulness and its wider consequences out of sight, and fixes attention on the sorry spectacle which a man makes of himself in body and mind when he 'puts an enemy into his mouth to steal away his brains.' Disgust and ridicule are both expressed. The writer would warn his 'son' by impressing the ugliness and ludicrousness of drunkenness. The argument is legitimate, though not the highest.
The vehement questions poured out on each other's heels in verse 29 are hot with both loathing and grim laughter. The two words rendered 'woe' and 'sorrow' are unmeaning exclamations, very like each other in sound, and imitating the senseless noises of the drunkard. They express discomfort as a dog might express it. They are howls rather than words. That is one of the prerogatives won by drunkenness,--to come down to the beasts' level, and to lose the power of articulate speech. The quarrelsomeness which goes along with certain stages of intoxication, and the unmeaning maudlin misery and whimpering into which it generally passes, are next coupled together.
Then come a pair of effects on the body. The tipsy man cannot take care of himself, and reeling against obstacles, or falling over them, wounds himself, and does not know where the scratches and blood came from. 'Redness of eyes' is, perhaps, rather 'darkness,' meaning thereby dim sight, or possibly 'black eyes,' as we say,--a frequent accompaniment of drunkenness, and corresponding to the wounds in the previous clause. It is a hideous picture, and one that should be burned in on the imagination of every young man and woman. The liquor-sodden, miserable wrecks that are found in thousands in our great cities, of whom this is a picture, were, most of them, in Sunday-schools in their day. The next generation of such poor creatures are, many of them, in Sunday-schools now, and may be reading this passage to-day.
The answer to these questions has a touch of irony in it. The people who win as their possessions these six precious things have to sit up late to earn them. What a noble cause in which to sacrifice sleep, and turn night into day! And they pride themselves on being connoisseurs in the several vintages; they 'know a good glass of wine when they see it.' What a noble field for investigation! What a worthy use of the faculties of comparison and judgment! And how desirable the prizes won by such trained taste and delicate discrimination!
In verses 31 and 32 weighty warning and dehortation follow, based in part on the preceding picture. The writer thinks that the only way of sure escape from the danger is to turn away even the eyes from the temptation. He is not contented with saying 'taste not,' but he goes the whole length of 'look not'; and that because the very sparkle and colour may attract. 'When it is red' might perhaps better be rendered 'when it reddens itself,' suggesting the play of colour, as if put forth by the wine itself. The word rendered in the Authorised Version and Revised Version 'colour' is literally 'eye,' and probably means the beaded bubbles winking on the surface. 'Moveth itself aright' (Authorised Version) is not so near the meaning as 'goeth down smoothly' (Revised Version). The whole paints the attractiveness to sense of the wine-cup in colour, effervescence, and taste.