Interpreters who adopt it differ somewhat in the explanation of particular details, but, on the whole, one can see in most of the similes sufficient correspondence for a poet, however foreign to modern taste such a long-drawn and minute allegory may be. 'The keepers of the house' are naturally the arms; the 'strong men,' the legs; the 'grinding women,' the teeth; the 'women who look out at the windows,' the eyes; 'the doors shut towards the street,' either the lips or, more probably, the ears. 'The sound of the grinding,' which is 'low,' is by some taken to mean the feeble mastication of toothless gums, in which case the 'doors' are the lips, and the figure of the mill is continued. 'Arising at the voice of the bird' may describe the light sleep or insomnia of old age; but, according to some, with an alteration of rendering ('The voice riseth into a sparrow's'), it is the 'childish treble' of Shakespeare. The former is the more probable rendering and reference. The allegory is dropped in verse _5a_, which describes the timid walk of the old, but is resumed in 'the almond trees shall flourish'; that is, the hair is blanched, as the almond blossom, which is at first delicate pink, but fades into white. The next clause has an appropriate meaning in the common translation, as vividly expressing the loss of strength, but it is doubtful whether the verb here used ever means 'to be a burden.' The other explanations of the clause are all strained. The next clause is best taken, as in the Revised Version, as describing the failure of appetite, which the stimulating caper-berry is unable to rouse. All this slow decay is accounted for, 'because the man is going to his long home,' and already the poet sees the mourners gathering for the funeral procession.
The connection of the long-drawn-out picture of senile decay with the advice to remember the Creator needs no elucidation. That period of failing powers is no time to begin remembering God. How dreary, too, it will be, if God is not the 'strength of the heart,' when 'heart and flesh fail'! Therefore it is plain common sense, in view of the future, not to put off to old age what will bless youth, and keep the advent of old age from being wretched.
Verses 6 and 7 still more stringently enforce the precept by pointing, not to the slow approach, but to the actual arrival of death. If a future of possible weakness and gradual creeping in on us of death is reason for the exhortation, much more is the certainty that the crash of dissolution will come. The allegory is partially resumed in these verses. The 'golden bowl' is possibly the head, and, according to some, the 'silver cord' is the spinal marrow, while others think rather of the bowl or lamp as meaning the body, and the cord the soul which, as it were, holds it up. The 'pitcher' is the heart, and the 'wheel' the organs of respiration. Be this as it may, the general thought is that death comes, shivering the precious reservoir of light, and putting an end to drawing of life from the Fountain of bodily life. Surely these are weighty reasons for the Preacher's advice. Surely it is well for young hearts sometimes to remember the end, and to ask, 'What will ye do in the end?' and to do before the end what is so hard to begin doing at the end, and so needful to have done if the end is not to be worse than 'vanity.'
The collapse of the body is not the end of the man, else the whole force of the argument in the preceding verses would disappear. If death is annihilation, what reason is there for seeking God before it comes? Therefore verse 7 is no interpolation to bring a sceptical book into harmony with orthodox Jewish belief, as some commentators affirm. The 'contradiction' between it and Ecclesiastes iii. 21 is alleged as proof of its having been thus added. But there is no contradiction. The former passage is interrogative, and, like all the earlier part of the book, sets forth, not the Preacher's ultimate convictions, but a phase through which he passed on his way to these. It is because man is twofold, and at death the spirit returns to its divine Giver, that the exhortation of verse 1 is pressed home with such earnestness.