Verse 2 is very obscure to us from our ignorance of the facts underlying its allusions. In fact, it has been explained in exactly opposite ways, being taken by some to enumerate three instances of prosperous communities, which yet are not more prosperous than Israel, and by others to enumerate three instances of God's judgments falling on places which, though strong, had been conquered. In the former explanation, God's favour to Israel is made the ground of an implied appeal to their gratitude; in the latter, His judgments on other nations are made the ground of an appeal to their fear, lest like destruction should fall on them.
But the main points of the passage are the photograph of the crimes which are bringing the judgment of God, and the solemn divine oath to inflict the judgment. The crimes rebuked are not the false worship of the calves, though in other parts of his prophecy Amos lashes that with terrible invectives, nor foul breaches of morality, though these were not wanting in Israel, but the vices peculiar to selfish, luxurious upper classes in all times and countries, who forget the obligations of wealth, and think only of its possibilities of self-indulgence. French _noblesse_ before the Revolution, and English peers and commercial magnates, and American millionaires, would yield examples of the same sin. The hardy shepherd from Tekoa had learned 'plain living and high thinking' before he was a prophet, and would look with wondering and disgusted eyes at the wicked waste which he saw in Samaria. He begins with scourging the reckless security already referred to. These notables in Israel were 'at ease' because they 'put far away the evil day,' by refusing to believe that it was at hand, and paying no heed to prophets' warnings, as their fellows do still and always, and as we all are tempted to do. They who see and declare the certain end of national or personal sins are usually jeered at as pessimists, fanatics, alarmists, bad patriots, or personal ill-wishers, and the men whom they try to warn fancy that they hinder the coming of a day of retribution by disbelieving in its coming. Incredulity is no lightning-conductor to keep off the flash, and, listened to or not, the low growls of the thunder are coming nearer.
With one hand these sinners tried to push away the evil day, while with the other they drew near to themselves that which made its coming certain--'the seat of violence,' or, rather, 'the sitting,' or 'session.' Violence, or wrongdoing, is enthroned by them, and where men enthrone iniquity, God's day of vengeance is not far off.
Then follows a graphic picture of the senseless, corrupting luxury of the Samaritan magnates, on which the Tekoan shepherd pours his scorn, but which is simplicity itself, and almost asceticism, before what he would see if he came to London or New York. To him it seemed effeminate to loll on a divan at meals, and possibly it was a custom imported from abroad. It is noted that 'the older custom in Israel was to sit while eating.' The woodwork of the divans, inlaid with ivory, had caught his eye in some of his peeps into the great houses, and he inveighs against them very much as one of the Pilgrim Fathers might do if he could see the furniture in the drawing-rooms of some of his descendants. There is no harm in pretty things, but the æsthetic craze does sometimes indicate and increase selfish heartlessness as to the poverty and misery, which have not only no ivory on their divans, but no divans at all. Thus stretched in unmanly indolence on their cushions, they feast on delicacies. 'Lambs out of the flock' and 'calves out of the stall' seem to mean animals too young to be used as food. These gourmands, like their successors, prided themselves on having dainties out of season, because they were more costly then. And their feasts had the adornment of music, which the shepherd, who knew only the pastoral pipe that gathered his sheep, refers to with contempt. He uses a very rare word of uncertain meaning, which is probably best rendered in some such way as the Revised Version does: 'They sing idle songs.' To him their elaborate performances seemed like empty babble. Worse than that, they 'devise musical instruments like David.' But how unlike him in the use they make of art! What a descent from the praises of God to the 'idle songs' fit for the hot dining-halls and the guests there! Amos was indignant at the profanation of art, and thought it best used in the service of God. What would he have said if he had been 'fastened into a front-row box' and treated to a modern opera?