Strange that such words had no effect. But so it was, and so deep was the apostles' sleep that Christ left them undisturbed the second time. The relapse is worse than the original disease. Sleep broken and resumed is more torpid and fatal than if it had not been interrupted. We do not know how long it lasted, though the whole period in the garden must have been measured by hours; but at last it was broken by the enigmatical last words of our Lord. The explanation of the direct opposition between the consecutive sentences, by taking the 'Sleep on now' as ironical, jars on one's reverence. Surely irony is out of keeping with the spirit of Christ then. Rather He bids them sleep on, since the hour is come, in sad recognition that the need for their watchful sympathy is past, and with it the opportunity for their proved affection. It is said with a tone of contemplative melancholy, and is almost equivalent to 'too late, too late.' The memorable sermon of F. W. Robertson, on this text, rightly grasps the spirit of the first clause, when it dwells with such power on the thought of 'the irrevocable past' of wasted opportunities and neglected duty. But the sudden transition to the sharp, short command and broken sentences of the last verse is to be accounted for by the sudden appearance of the flashing lights of the band led by Judas, somewhere near at hand, in the valley. The mood of pensive reflection gives place to rapid decision. He summons them to arise, not for flight, but that He may go out to meet the traitor. Escape would have been easy. There was time to reach some sheltering fold of the hill in the darkness; but the prayer beneath the silver-grey olives had not been in vain, and these last words in Gethsemane throb with the Son's willingness to yield Himself up, and to empty to its dregs the cup which the Father had given Him.
Alexander Maclaren, 1826-1910 • SECTION 295
Gethsemane, The Oil-Press
← Expositions of Holy Scripture : St. Matthew Chaps. IX to XXVIII
Public domain in the USA; original historical text digitized by Project Gutenberg.