1 Be gracious to me, O God, be gracious to me; For in Thee has my soul taken refuge: And in the shadow of Thy wings will I take refuge, Until the [tempest of] destructions is gone by. 2 I will cry to God Most High; To God who accomplishes for me. 3 He will send from heaven, and save me; [For] He that would swallow me up blasphemes. Selah. God shall send His Loving-kindness and His Troth. 4 My soul is among lions; I must lie down among those who breathe out fire-- Sons of men, whose teeth are spear and arrows, Their tongue a sharp sword. 5 Exalt Thyself above the heavens, O God, Above all the earth Thy glory.
6 A net have they prepared for my steps: They have bowed down my soul: They have digged before me a pit; They have fallen into the midst of it. Selah. 7 Steadfast is my heart, O God, steadfast is my heart: I will sing and harp. 8 Awake, my glory; awake, harp and lute: I will wake the dawn. 9 I will give Thee thanks among the peoples, O Lord: I will harp to Thee among the nations. 10 For great unto the heavens is Thy Loving-kindness, And unto the clouds Thy Troth. 11 Exalt Thyself above the heavens, O God, Above all the earth Thy glory.
This psalm resembles the preceding in the singer's circumstances of peril and in his bold faith. It has also points of contact in the cry, "Be gracious," and in the remarkable expression for enemies, "Those that would swallow me up." It has also several features in common with the other psalms ascribed by the superscriptions to the time of the Sauline persecution. Like Psalm vii. are the metaphor of _lions_ for enemies, that of _digging a pit_ for their plots, the use of _glory_ as a synonym for soul. The difficult word rendered "destructions" in ver. 1 connects this psalm with Psalm lv. 11, dated as belonging to the time of Saul's hostility, and with Psalms v. 9 and xxxviii. 12, both traditionally Davidic. There is nothing in the psalm against the attribution of it to David in the cave, whether of Adullam or Engedi, and the allusions to lying down among lions may possibly have been suggested by the wild beasts prowling round the psalmist's shelter. The use in ver. 1 of the picturesque word for taking refuge derives special appropriateness from the circumstances of the fugitive, over whose else defenceless head the sides of his cave arched themselves like great wings, beneath which he lay safe, though the growls of beasts of prey echoed round. But there is no need to seek for further certainty as to the occasion of the psalm. Baethgen thinks that it can only have been composed after "the annihilation of the independence of the Israelite state," because the vow in ver. 9 to make God's name known among the nations can only be the utterance of the oppressed congregation, which is sure of deliverance, because it is conscious of its Divine call to sing God's praise to heathens. But that vow is equally explicable on the assumption that the individual singer was conscious of such a call.
There is no very sharp division of parts in the psalm. A grand refrain separates it into two portions, in the former of which prayer for deliverance and contemplation of dangers prevail, while in the latter the foe is beheld as already baffled, and exuberant praise is poured forth and vowed.
As in Psalm liv. and often, the first part begins with an act of faith reaching out to God, and strengthening itself by the contemplation of His character and acts. That energy of confidence wins assurance of help, and only after that calming certitude has filled the soul does the psalmist turn his eye directly on his enemies. His faith does not make him oblivious of his danger, but it minimises his dread. An eye that has seen God sees little terror in the most terrible things.