Another beautiful reciprocity is suggested by the very order of the words in the two clauses of ver. 8. The first ends with "Thee"; the second begins with "Me." The mutual relation of God and the soul is here set forth. He who "cleaves after God" is upheld in his pursuit by God's hand. And not in his pursuit only, but in all his life; for the condition of receiving sustaining help is desire for it, directed to God and verified by conduct. Whoever thus follows hard after God will feel his outstretched, seeking hand inclosed in a strong and loving palm, which will steady him against assaults and protect him in dangers. "No man is able to pluck them out of the Father's hand," if only they do not let it go. It may slip from slack fingers.
We descend from the heights of mystic communion in the remainder of the psalm. But in the singer's mind his enemies were God's enemies, and, as ver. 11 shows, were regarded as apostates from God in being traitors to "the king." They did not "swear by Him"--_i.e._, they did not acknowledge God as God. Therefore, such being their character, the psalmist's confidence that God's right hand upheld him necessarily passes into assurance of their defeat. This is not vindictiveness, but confidence in the sufficiency of God's protection, and is perfectly accordant with the lofty strains of the former part of the psalm. The picture of the fate of the beaten foe is partly drawn from that of Korah and his company. These rebels against God's king shall go, where those rebels against His priest long ago descended. "They shall be poured out upon the hands of the sword," or, more literally still, "They shall pour him out," is a vigorous metaphor, incapable of transference into English, describing how each single enemy is given over helplessly, as water is poured out, to the sword, which is energetically and to our taste violently, conceived of as a person with hands. The meaning is plain--a battle is impending, and the psalmist is sure that his enemies will be slain, and their corpses torn by beasts of prey.
How can the "king's" rejoicing in God be the consequence of their slaughter, unless they are rebels? And what connection would the defeat of a rebellion have with the rest of the psalm, unless the singer were himself the king? "This one line devoted to the king is strange," says Cheyne. The strangeness is unaccounted for, but on the supposition that David is the king and singer. If so, it is most natural that his song should end with a note of triumph, and should anticipate the joy of his own heart and the "glorying" of his faithful followers, who had been true to God in being loyal to His anointed.