Vv. 10 and 11 are the kernel of the psalm, the rest of which is folded round them symmetrically. Starting from this centre and working outwards, we note that it is preceded by six verses dilating on the profanations of the name of God, and followed by six setting forth the glories of that name in the past. The connection of these two portions of the psalm is obvious. They are, as it were, the inner shell round the kernel. The outer shell is the prayer in three verses which begins the psalm, and that in six verses which closes it. Ver. 10 takes up the despairing "How long" from the end of the preceding portion, and turns it into a question to God. It is best to ask Him, when ignorance pains us. But the interrogation does not so much beg for enlightenment as to the duration of the calamity as for its abbreviation. It breathes not precisely impatience, but longing that a state of things so dishonouring to God should end. That aspect, and not personal suffering, is prominent in the verse. It is "Thy name" which is insulted by the adversaries actions, and laid open to their contempt, as the name of a Deity powerless to protect His worshippers. Their action "reproaches," and His inaction lets them "despise," His name. The psalmist cannot endure that this condition should drag on indefinitely, as if "for ever," and his prayer-question "How long?" is next exchanged for another similar blending of petition and inquiry, "_Why_ dost Thou draw back Thy hand?" Both are immediately translated into that petition which they both really mean. "From the midst of Thy bosom consume," is a pregnant phrase, like that in ver. 7 _b_, and has to be completed as above, though, possibly, the verb stands absolutely as equivalent to "make an end"--_i.e._, of such a state of things.
The psalmist's petition is next grounded on the revelation of God's name in Israel's past, and in creative acts of power. These at once encourage him to expect that God will pluck His hand out from the folds of His robe, where it lies inactive, and appeal to God to be what He has been of old, and to rescue the name which He has thus magnified from insult. There is singular solemnity in the emphatic reiteration of "Thou" in these verses. The Hebrew does not usually express the pronominal nominative to a verb, unless special attention is to be called to it; but in these verses it does so uniformly, with one exception, and the sevenfold repetition of the word brings forcibly into view the Divine personality and former deeds which pledge God to act now. Remembrance of past wonders made present misery more bitter, but it also fanned into a flame the spark of confidence that the future would be like the past. One characteristic of the Asaph psalms is wistful retrospect, which is sometimes the basis of rebuke, and sometimes of hope, and sometimes of deepened sorrow, but is here in part appeal to God and in part consolation. The familiar instances of His working drawn from the Exodus history appear in the psalm. First comes the dividing of the Red Sea, which is regarded chiefly as occasioning the destruction of the Egyptians, who are symbolised by the "sea-monsters" and by "leviathan" (the crocodile). Their fate is an omen of what the psalmist hopes may befall the oppressors of his own day. There is great poetic force in the representation that the strong hand, which by a stroke parted the waters, crushed by the same blow the heads of the foul creatures who "floated many a rood" on them. And what an end for the pomp of Pharaoh and his host, to provide a meal for jackals and the other beasts of the desert, who tear the corpses strewing the barren shore! The meaning is completely misapprehended when "the people inhabiting the wilderness" is taken to be wild desert tribes. The expression refers to animals, and its use as designating them has parallels (as Prov. xxx. 25, 26).