The Man who lay prone in anguish beneath the olive-trees comes forth in serene tranquillity, and gives Himself up to the death for us all. His agony was endured for us, and needs for its explanation the fact that it was so. His victory through prayer was for us, that we too might conquer by the same weapons. His voluntary surrender was for us, that 'by His stripes we might be healed.' Surely we shall not sleep, as did these others, but, moved by His sorrows and animated by His victory, watch and pray that we may share in the virtue of His sufferings and imitate the example of His submission.
'Simon, sleepest thou!'--Mark xiv. 37
It is a very old Christian tradition that this Gospel is in some sense the Apostle Peter's. There are not many features in the Gospel itself which can be relied on as confirming this idea. Perhaps one such may be found in this plaintive remonstrance, which is only preserved for us here. Matthew's Gospel, indeed, tells us that the rebuke was addressed to Peter, but blunts the sharp point of it as directed to him, by throwing it into the plural, as if spoken to all the three slumberers: 'What, could ye not watch with Me one hour?' To Matthew, the special direction of the words was unimportant, but Peter could never forget how the Master had come out from the shadow of the olives to him lying there in the moonlight, and stood before him worn with His solitary agony, and in a voice yet tremulous from His awful conflict, had said to _him_, so lately loud in his professions of fidelity, 'Sleepest _thou_?'
It was but an hour or two since he had been saying, and meaning, 'I will lay down my life for Thy sake,' and this was what all that fervour had come to. No wonder if there is almost a tone of surprise discernible in our Lord's word, as if He who 'marvelled at the unbelief' of those who were not His followers, marvelled still more at the imperfect sympathy of those who were, and marvelled most of all at such a sudden ebb of such a flood of devotion. Surprise and sorrow, the pain of a loving heart thrown back upon itself, the sharp pang of feeling how much less one is loved than one loves, the pleading with His forgetful servant, rebuke without anger, all breathe through the question, so pathetic in its simplicity, so powerful to bow in contrition by reason of its very gentleness and self-restraint.
The record of this Evangelist proves how deep it sank into the impulsive, loving heart of the apostle, and yet the denials in the high priest's palace, which followed so soon, show how much less power it had on him on the day when it was spoken, than it gained as he looked back on it through the long vista of years that had passed, when he told the story to Mark.
The first lesson to be gathered from these words is drawn from the name by which our Lord here addresses the apostle: '_Simon_, sleepest thou?'
Now the usage of Mark's Gospel in reference to this apostle's name is remarkably uniform and precise. Both his names occur in Mark's catalogue of the Apostles: 'Simon he surnamed Peter.' He is never called by both again, but before that point he is always Simon, and after it he is always Peter, except in this verse. The other Evangelists show similar purpose, for the most part, in their interchange of the names. Luke, for instance, always calls him Simon up to the same point as Mark, except once where he uses the form 'Simon Peter,' and thereafter always Peter, except in Christ's solemn warning, 'Simon, Simon, Satan hath desired to have you,' and in the report of the tidings that met the disciples on their return from Emmaus, 'The Lord hath appeared to Simon.' So Matthew calls him Simon in the story of the first miraculous draught of fishes, and in the catalogue of Apostles, and afterwards uniformly Peter, except in Christ's answer to the apostle's great confession, where He names him 'Simon Bar Jona,' in order, as would appear, to bring into more solemn relief the significance of the immediately following words, 'Thou art Peter.' In John's Gospel, again, we find the two forms 'Simon Peter' and the simple 'Peter' used throughout with almost equal frequency, while 'Simon' is only employed at the very beginning, and in the heart-piercing triple question at the end, 'Simon, son of Jonas, lovest thou Me?'