A Brighter Day Begins with His Word.

Alexander Maclaren, 1826-1910 • SECTION 40

Psalm X.

← The Expositor's Bible: The Psalms, Vol. 1

The psalm falls into two parts after the introductory verse of petition and remonstrance: vv. 3-11, the grim picture of the enemy of the "poor"; and vv. 12-18, the cry for deliverance and judgment.

The first stanza (vv. 1, 2) gives in its passionate cry a general picture of the situation, which is entirely different from that of Psalm ix. The two opposite characters, whose relations occupy so much of these early psalms, "the wicked" and "the poor," are, as usual, hunter and hunted, and God is passive, as if far away, and hiding His eyes. The voice of complaining but devout remonstrance is singularly like the voice of arrogant godlessness (vv. 4-11), but the fact which brings false security to the one moves the other to prayer. The boldness and the submissiveness of devotion are both throbbing in that "Why?" and beneath it lies the entreaty to break this apparent apathy. Ver. 2 spreads the facts of the situation before God. "Through the pride of the wicked the afflicted is burned," _i.e._, with anguish, _pride_ being the fierce fire and _burning_ being a vigorous expression for anguish, or possibly for destruction. The ambiguous next clause may either have "the wicked" or "the poor" for its subject. If the former (R. V.), it is a prayer that the retribution which has been already spoken of in Psalm ix. may fall, but the context rather suggests the other construction, carrying on the description of the sufferings of the poor, with an easy change to the plural, since the singular is a collective. This, then, being how things stand, the natural flow of thought would be the continuance of the prayer; but the reference to the enemy sets the psalmist on fire, and he "burns" in another fashion, flaming out into a passionate portraiture of the wicked, which is marked as an interruption to the current of his song by the cessation of the acrostic arrangement.

The picture is drawn with extraordinary energy, and describes first the character (vv. 3-6) and then the conduct of the wicked. The style reflects the vehemence of the psalmist's abhorrence, being full of gnarled phrases and harsh constructions. As with a merciless scalpel the inner heart of the man is laid open. Observe the recurrence of "saith," "thoughts," and "saith in his heart." But first comes a feature of character which is open and palpable. He "boasts of his soul's desire." What is especially flagrant in that? The usual explanation is that he is not ashamed of his shameful lusts, but glories in them, or that he boasts of succeeding in all that he desires. But what will a good man do with his heart's desires? Ver. 7 tells us, namely breathe them to God; and therefore to boast of them instead is the outward expression of godless self-confidence and resolve to consult inclination and not God. The word rendered _boast_ has the two significations of _pray_ and _boast_, and the use of it here, in the worse one, is parallel with the use of _bless_ or _renounce_ in the next clause. The wicked is also "rapacious," for "covetous" is too weak. He grasps all that he can reach by fair or foul means. Such a man in effect and by his very selfish greed "renounces, contemns God." He may be a worshipper; but his "blessing" is like a parting salutation, dismissing Him to whom it is addressed. There is no need to suppose that conscious apostacy is meant. Rather the psalmist is laying bare the under-meaning of the earth-bound man's life, and in effect anticipates Christ's "Ye cannot serve God and mammon" and Paul's "covetousness which is idolatry."

The next trait of character is practical atheism and denial of Divine retribution. The Hebrew is rough and elliptical, but the A.V. misses its point, which the R.V. gives by the introduction of "saith." "The pride of his countenance" is literally "the elevation of his nose." Translate those upturned nostrils into words, and they mean that God will not require (seek, in the sense of punish). But a God who does not punish is a dim shape, through which the empty sky is seen, and the denial (or forgetfulness) of God's retributive judgment is equivalent to denying that there is a God at all.

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