The eye which steadily looks on God can look calmly at dangers. It is with no failure of faith that the poet's thoughts turn to his enemies. Fears that have become prayers are already more than half conquered. The psalmist would move God to help, not himself to despair, by recounting his perils. The enemy "spoil" him or lay him waste, the word used for the ravages of invaders. They are "enemies in soul"--_i.e._, deadly--or perhaps "against [my] soul" or life. They are pitiless and proud, closing their hearts, which prosperity has made "fat" or arrogant, against the entrance of compassion, and indulging in gasconading boasts of their own power and contemptuous scoffs at his weakness. They ring him round, watching his steps. The text has a sudden change here from singular to plural, and back again to singular, reading "_our_ steps," and "They have compassed _me_," which the Hebrew margin alters to "us." The wavering between the singular and plural is accounted for by the upholders of the Davidic authorship by a reference to him and his followers, and by the advocates of the theory that the speaker is the personified Israel by supposing that the mask falls for a moment, and the "me," which always means "us," gives place to the collective. Ver. 11 _b_ is ambiguous in consequence of the absence of an object to the second verb. To "set the eyes" is to watch fixedly and eagerly; and the purpose of the gaze is in the next clause stated by an infinitive with a preposition, not by a participle, as in the A.V. The verb is sometimes transitive and sometimes intransitive, but the former is the better meaning here, and the omitted object is most naturally "us" or "me." The sense, then, will be that the enemies eagerly watch for an opportunity to cast down the psalmist, so as to lay him low on the earth. The intransitive meaning "to bow down" is taken by some commentators. If that is adopted (as it is by Hupfeld and others), the reference is to "our steps" in the previous clause, and the sense of the whole is that eager eyes watch for these "bowing to the ground," that is stumbling. But such a rendering is harsh, since steps are always on the ground. Baethgen ("Handcommentar"), on the strength of Num. xxi. 22, the only place where the verb occurs with the same preposition as here, and which he takes as meaning "to turn aside to field or vineyard--_i.e._, to plunder them"--would translate, "They direct their eyes to burst into the land," and supposes the reference to be to some impending invasion. A similar variation in number to that in ver. 11 occurs in ver. 12, where the enemies are concentrated into one. The allusion is supposed to be to some one conspicuous leader--_e.g._, Saul--but probably the change is merely an illustration of the carelessness as to such grammatical accuracy characteristic of emotional Hebrew poetry. The familiar metaphor of the lurking lion may have been led up to in the poet's imagination by the preceding picture of the steadfast gaze of the enemy, like the glare of the green eyeballs flashing from the covert of a jungle.
The third part (vv. 13-15) renews the cry for deliverance, and unites the points of view of the preceding parts in inverted order, describing first the enemies and then the psalmist, but with these significant differences, the fruits of his communion with God, that now the former are painted, not in their fierceness, but in their transitory attachments and low delights, and that the latter does not bemoan his own helplessness nor build on his own integrity, but feeds his soul on his confidence of the vision of God and the satisfaction which it will bring. The smoke clouds that rolled in the former parts have caught fire, and one clear shoot of flame aspires heavenward. He who makes his needs known to God gains for immediate answer "the peace of God, which passeth understanding," and can wait God's time for the rest. The crouching lion is still ready to spring; but the psalmist hides himself behind God, whom he asks to face the brute and make him grovel at his feet ("Make him bow down," the same word used for a lion couchant in Gen. xlix. 9 and Num. xxiv. 9). The rendering of ver. 13 _b_, "the wicked, who is Thy sword," introduces an irrelevant thought; and it is better to regard the sword as God's weapon that slays the crouching wild beast. The excessive length of ver. 14 and the entirely pleonastic "from men (by) Thy hand, O Lord," suggest textual corruption. The thought runs more smoothly, though not altogether clearly, if these words are omitted. There remains a penetrating characterisation of the enemy in the sensuous limitations and mistaken aims of his godless being, which may be satiated with low delights, but never satisfied, and has to leave them all at last. He is no longer dreaded, but pitied. His prayer has cleared the psalmist's eyes and lifted him high enough to see his foes as they are. They are "men of the world," belonging, by the set of their lives, to a transitory order of things--an anticipation of New Testament language about "the children of this world." "Their portion is in [this] life," while the psalmist's is God (xvi. 5). They have chosen to have their good things in their lifetime. Hopes, desires, aims, tastes, are all confined within the narrow bounds of time and sense, than which there can be no greater folly. Such limitation will often seem to succeed, for low aims are easily reached; and God sometimes lets men have their fill of the goods at which their perverted choice clutches. But even so the choice is madness and misery, for the man, gorged with worldly good, has yet to leave it, however unwilling to loosen his hold. He cannot use his goods; and it is no comfort to him, sent away naked into darkness of death, that his descendants revel in what was his.