1 Sing to Jehovah a new song, Sing to Jehovah, all the earth. 2 Sing to Jehovah, bless His name, Publish the glad tidings of His salvation from day to day. 3 Recount among the nations His glory, Among all peoples His wonders.
4 For great is Jehovah, and to be praised exceedingly, Dread is He above all gods. 5 For all the gods of the people are Nothings, And Jehovah made the heavens. 6 Honour and majesty are before Him, Strength and beauty are in His sanctuary.
7 Give to Jehovah, ye families of the peoples, Give to Jehovah glory and strength. 8 Give to Jehovah the glory of His name, Take an offering and come into His courts. 9 Worship Jehovah in holy attire, Tremble before Him, all the earth.
10 Say among the nations, "Jehovah is King," Yea, the world is set fast [that] it cannot be moved, He shall deal judgment to the peoples in equity. 11 Let the heavens rejoice and let the earth exult, Let the sea thunder and its fulness, 12 Let the plain rejoice and all that is in it, Then shall all the trees of the forest ring out joyful cries, 13 Before Jehovah, for He comes, He comes to judge the earth, He will judge the world in righteousness, And peoples in His faithfulness.
The praise of Jehovah as King has, in the preceding psalms, chiefly celebrated His reign over Israel. But this grand coronation anthem takes a wider sweep, and hymns that kingdom as extending to all nations, and as reaching beyond men, for the joy and blessing of a renovated earth. It falls into four strophes, of which the first three contain three verses each, while the last extends to four. These strophes are like concentric circles, drawn round that eternal throne. The first summons Israel to its high vocation of Jehovah's evangelist, the herald who proclaims the enthronement of the King. The second sets Him above all the "Nothings" which usurp the name of gods, and thus prepares the way for His sole monarchy. The third summons outlying nations to bring their homage, and flings open the Temple gates to all men, inviting them to put on priestly robes, and do priestly acts there. The fourth calls on Nature in its heights and depths, heaven and earth, sea, plain and forest, to add their acclaim to the shouts which hail the establishment of Jehovah's visible dominion.
The song is to be new, because a new manifestation of Jehovah's Kinghood has wakened once more the long-silent harps, which had been hung on the willows of Babylon. The psalm is probably a lyric echo of the Restoration, in which the prophet-singer sees the beginning of Jehovah's world-wide display of His dominion. He knew not how many weary years were to pass in a weary and God-defying world, before his raptures became facts. But though His vision tarries, His song is no over-heated imagining, which has been chilled down for succeeding generations into a baseless hope. The perspective of the world's chronology hid from him the deep valley between His standpoint and the fulfilment of his glowing words. Mankind still marches burdened, down among the mists, but it marches towards the sunlit heights. The call to sing a new song is quoted from Isa. xlii. 10. The word in ver. 2_b_ rendered "publish glad tidings" is also a favourite word with Isaiah II. (xl. 9, lii. 7, etc.). Ver. 3_a_ closely resembles Isa. lxvi. 19.
The second strophe is full of allusions to earlier psalms and prophets. The new manifestation of Jehovah's power has vindicated His supremacy above the vanities which the peoples call gods, and has thereby given new force to old triumphant words which magnified His exalted name. Long ago a psalmist had sung, after a signal defeat of assailants of Jerusalem, that God was "great and greatly to be praised" (Psalm xlviii. 1), and this psalmist makes the old words new. "Dread" reminds us of Psalm xlvii. 2. The contemptuous name of the nations' gods as "Nothings" is frequent in Isaiah. The heavens, which roof over all the earth, declare to every land Jehovah's creative power, and His supremacy above all gods. But the singer's eye pierces their abysses, and sees some gleams of that higher sanctuary of which they are but the floor. There stand Honour and Majesty, Strength and Beauty. The psalmist does not speak of "attributes." His vivid imagination conceives of these as servants, attending on Jehovah's royal state. Whatsoever things are lovely, and whatsoever are august, are at home in that sanctuary. Strength and beauty are often separated in a disordered world, and each is maimed thereby, but, in their perfection, they are indissolubly blended. Men call many things strong and fair which have no affinity with holiness; but the archetypes of both excellences are in the Holy Place, and any strength which has not its roots there is weakness, and any beauty which is not a reflection from "the beauty of the Lord our God" is but a mask concealing ugliness.