Further, we find it, not in a plain prose narrative, but in a narrative differing entirely from the prosaic setting in which it occurs--a narrative which rises in many parts to the height of poetic and imaginative splendour. There is nothing to show that it was not intended to be a touch of imaginative poetry and nothing more. Part of the greatness of Hebrew literature lies in its power of conveying eternal truth, as, for instance, in the Book of Job and in many passages of the prophets, in the form of imaginative narration. The stories of Elijah and Elisha come from the Schools of the Prophets. If room was left in them for the touch of poetic fiction, or for the embellishment of history with moral truth, conveyed in the form of parable or apologue, we can at once account for the sudden multitude of miracles. They were founded no doubt in many instances on actual events, but in the form into which the narrative is thrown they were recorded to enhance the greatness of the heroic chiefs of the Schools of the Prophets. It is therefore uncertain whether the original narrator believed, or meant his readers literally to believe, such a statement as that Elijah was fed morning and evening by actual ravens. It cannot be proved that he intended more than a touch of poetry, by which he could convey the lesson that the prophet was maintained by marked interventions of that providence of God which is itself in all its workings supernatural. God's feeding of the ravens in their nest was often alluded to in Hebrew poetry; and if the marvellous support of the Prophet in his lonely hiding-place was to be represented in an imaginative form, this way of representing it would naturally occur to the writer's thoughts. Similarly, when Jerome wrote the purely fictitious life of Paul the Hermit, which was taken for fact even by his contemporaries, he thinks it quite natural to say that Paul and Antony saw a raven sitting on a tree, who flew gently down to them and placed a loaf on the table before them. Ravens haunt the lonely, inaccessible cliffs among which Elijah found his place of refuge. It needed but a touch of metaphor to transform them into ministers of Heaven's beneficence.
But besides all this, the word rendered ravens (_Orebim_, עֹרְבִים) only has that meaning if it be written with the vowel points. But the vowel points are confessedly not "inspired" in any sense, but are a late Massoretic invention. Without the change of a letter the word may equally well mean people of the city Orbo,[622] or of the rock Oreb (as was suggested even in the Bereshith Rabba by Rabbi Judah); or "merchants," as in Ezek. xxvii. 27; or Arabians. No doubt difficulties might be suggested about any of these interpretations; but which would be most reasonable, the acceptance of such small difficulties, or the literal acceptance of a stupendous miracle, unlike any other in the Bible, by which we are to believe on the isolated authority of a nameless and long subsequent writer, that, for months or weeks together, voracious and unclean birds brought bread and flesh to the Prophet twice a day? The old naturalistic attempts to explain the miracle are on the face of them absurd; but it is as perfectly open to any one who chooses to say that "Arabians," or "Orbites," or "merchants," or "people of the rock Oreb" fed Elijah, as to say that the "ravens" did so. The explanation now universally accepted by the Higher Criticism is different. It is to accept the meaning "ravens," but not with wooden literalness to interpret didactic and poetic symbolism as though it were bald and matter-of-fact prose. The imagery of a grand religious _Haggada_ is not to be understood, nor was it ever meant to be understood, like the page of a dull annalist. Analogous stories are found abundantly alike in early pagan and early Christian literature and in mediæval hagiology. They are true in essence though not in fact, and the intention of them is often analogous to this; but no story is found so noble as this in its pure and quiet simplicity.