The chronicler’s selective method, however, is carried so far that the historical value of his work is seriously impaired; yet in this respect also he is kept in countenance by very respectable authorities. We are more concerned, however, to point out the positive results of the method. Instead of historical portraits, we are presented with a gallery of ideals, types of character which we are asked either to admire or to condemn. On the one hand, we have David and Solomon, Jehoshaphat and Hezekiah, and the rest of the reforming kings of Judah; on the other hand, there are Jeroboam, and Ahab, and Ahaz, the kings of Israel, and the bad kings of Judah. All these are very sharply defined in either white or black. The types of Chronicles are ideals, and not studies of ordinary human character, with its mingled motives and subtle gradations of light and shade. The chronicler has nothing in common with the authors of modern realistic novels or anecdotal memoirs. His subject is not human nature as it is so much as human nature as it ought to be. There is obviously much to be learnt from such ideal pictures, and this form of inspired teaching is by no means the least effective; it may be roughly compared with our Lord’s method of teaching by parables, without, however, at all putting the two upon the same level.
Before examining these types in detail, we may devote a little space to some general considerations upon teaching by types. For the present we will confine ourselves to a non-theological sense of type, using the word to mean any individual who is representative or typical of a class. But the chronicler’s individuals do not represent classes of actual persons, but good men as they seem to their most devoted admirers and bad men as they seem to their worst enemies. They are ideal types. Chronicles is not the only literature in which such ideal types are found. They occur in the funeral sermons and obituary notices of popular favourites, and in the pictures which politicians draw in election speeches of their opponents, only in these there is a note of personal feeling from which the chronicler is free.
In fact, all biography tends to idealise; human nature as it is has generally to be looked for in the pages of fiction. When we have been blessed with a good and brave man, we wish to think of him at his best; we are not anxious to have thrust upon our notice the weaknesses and sins which he regretted and for the most part controlled. Some one who loved and honoured him is asked to write the biography, with a tacit understanding that he is not to give us a picture of the real man in the _déshabille_, as it were, of his own inner consciousness. He is to paint us a portrait of the man as he strove to fashion himself after his own high ideal. The true man, as God knows him and as his fellows should remember him, was the man in his higher nature and nobler aspirations. The rest, surely, was but the vanishing remnant of a repudiated self. The biographer idealises, because he believes that the ideal best represents the real man. This is what the chronicler, with a large faith and liberal charity, has done for David and Solomon.
Such an ideal picture appeals to us with pathetic emphasis. It seems to say, “In spite of temptation, and sin, and grievous falls, this is what I ever aimed at and desired to be. Do not thou content thyself with any lower ideal. My higher nature had its achievements as well as its aspirations. Remember that in thy weakness thou mayest also achieve.”
“What I aspired to be, And was not, comforts me;
All I could never be, All men ignored in me, This I was worth to God....”