But what is the sin that tarnished the sanctity of this exalted personage and cost him his place among the immortals? Ideally, it was an access of pride that caused his ruin, a spiritual sin, such as might originate in the heart of an angelic being.
By that sin fell the angels: how can man, then, The image of his Maker, hope to win by it?
His heart was lifted up because of his beauty, and he forfeited his godlike wisdom over his brilliance (ver. 17). But really, this change passing over the spirit of the prince in the seat of God is only the reflection of what is done on earth in Tyre. As her commerce increased, the proofs of her unjust and unscrupulous use of wealth were accumulated against her, and her midst was filled with violence (ver. 16). This is the only allusion in the three chapters to the wrong and oppression and the outrages on humanity which were the inevitable accompaniments of that greed of gain which had taken possession of the Tyrian community. And these sins are regarded as a demoralisation taking place in the nature of the prince who is the representative of the city; by the “iniquity of his traffic he has profaned his holiness,” and is cast down from his lofty seat to the earth, a spectacle of abject humiliation for kings to gloat over. By a sudden change of metaphor the destruction of the city is also represented as a fire breaking out in the vitals of the prince and reducing his body to ashes—a conception which has not unnaturally suggested to some commentators the fable of the phœnix which was supposed periodically to immolate herself in a fire of her own kindling.