There he successfully deceived the people for some time. We have early notices of his success in the Imperial city. Justin Martyr is a writer who came close upon the apostolic age. He wrote an Apology for the Christians, which we may safely assign to some year about 150 A.D. At that time he was a man in middle life, whose elder contemporaries must have been well acquainted with the history and traditions of the previous century. In that first Apology Justin gives us many particulars about Christianity and the early Church, and he tells us, concerning Simon Magus, that his teaching at Rome was so successful in leading the Roman people astray that they erected a statue in his honour, between the two bridges. It is a curious fact, and one, too, which confirms the accuracy of Justin, that in the year 1574 there was dug up on the very spot indicated by Justin, the island in the Tiber, a statue bearing the inscription described by Justin, "Semoni Sanco Deo Fidio." Critics, indeed, are now pretty generally agreed that this statue was the one seen by Justin, but that it was originally erected in honour of a Sabine deity, and not of the arch-heretic as the Apologist supposed; though there are some who think that the appeal of Justin to a statue placed before men's eyes, and about which many at Rome must have known all the facts, could not have been made on such mistaken grounds. It is not altogether safe to build theories or offer explanations based on our ignorance, and opposed to the plain, distinct statements of a writer like Justin, who was a contemporary with the events of which he speaks. It seems indeed a plausible explanation to say that Justin Martyr mistook the name of a Sabine deity for that of an Eastern heretic. But there may have been two statues and two inscriptions on the island, one to the heretic, another to the ancient Sabine god. Later writers of the second and third centuries improved upon Justin's story, and entered into great details of the struggles between Simon and the two Apostles, St. Peter and St. Paul, terminating in the death of the magician when attempting to fly up to heaven in the presence of the Emperor Nero. His death did not, however, put an end to his influence. The evil which he did and taught lived long afterwards. His followers continued his teaching and proved themselves active opponents of the truth, seducing many proselytes by the apparent depth and subtlety of their views. Such is the history of Simon Magus as it is told in Church history, but we are now concerned simply with the statements put forward in the passage before us.[143] There Simon appears as a teacher who led the Samaritans captive by his sorcery, which he used as the basis of his claim to be recognised as "that power of God which is called Great." Magic and sorcery have always more or less prevailed, and do still prevail, in the Eastern world, and have ever been used in opposition to the gospel of Christ, just as the same practices, under the name of Spiritualism, have shown themselves hostile to Christianity in Western Europe and in America. The tales of modern travellers in India and the East, respecting the wondrous performances of Indian jugglers, remind us strongly of the deeds of Jannes and Jambres who withstood Moses, and illustrate the sorcery which Simon Magus used for the deception of the Samaritans. The Jews, indeed, were everywhere celebrated at this period for their skill in magical incantations--a well-known fact, of which we find corroborative evidence in the Acts. Bar-Jesus, the sorcerer who strove to turn the proconsul of Cyprus from the faith, was a Jew (Acts xiii. 6-12). In the nineteenth chapter we find the seven sons of Sceva, the Jewish priest, exercising the same trade of sorcery; while, as is well known from references in the classical writers, the Jews at Rome were famous for the same practices.
Stokes, George Thomas • SECTION 135
_Simon Magus And The Conversion Of Samaria._
← The Expositor's Bible: The Acts of the Apostles, Vol. 1
Public domain in the USA; original historical text digitized by Project Gutenberg.