[8] The nearest analogy in English literature to this triumphant use of the proverb of which I can think is Pope's use of the couplet--in every way a much lesser feat, however; while its burlesque or caricature may be found in Tupper's _Proverbial Philosophy_.
[9] In the Book of Proverbs, for instance, he would find, in addition to the incomparable personification of Wisdom to which I have already referred, many examples of the proverb proper, many detached sayings whose underlying thought is illustrated by a stroke of imagination; such as that (chap. xxv. 11) in which the enhanced beauty of an appropriate word when spoken at the opportune moment is compared with the golden fruit of the orange when set in its frame of silver blooms (_Expositions_, vol. iv.). He would also find some of those small picturesque descriptions produced by an artistic sequence of proverbs--the same theme being sometimes worked over by different artists, in different ages, one and the same moral being enforced by wholly different designs; as, for instance, where Solomon (chap. vi. 6-11) enforces the duty of a forethoughtful industry by a picture of the ant and her prudent ways; while an unknown sage of a later date (chap. xxiv. 30-34) appends precisely the same moral, expressed in the same words, to his graphic picture of the Sluggard's garden (THE EXPOSITOR, _Second Series_, vol. vi.). Moreover, if he turn to chapter xxx. he will see how this form of art, which once soared so high, was capable of sinking into a kind of puerile conundrum--with its three too wonderful things, and its four little things which yet are wise--while its moral tone remained pure and high. And, finally, in the exposition of the Epilogue to Ecclesiastes he will find how, after sinking so low, it rose once more, in the hands of the later rabbis, into many beautiful forms of fable, and exhortation, and parable.
It is to this school that the Preacher belongs, as he himself informs us in the Epilogue to his fine Poem. He set himself, he says, "_to compose_, _to collect_, and _to arrange many proverbs_" (xii. 9), rejecting any that were not "words of truth," preferring, as was natural in a time so dark, such as were "words of comfort" (xii. 10), and seeking his sayings both from the sages who stood by the old ways and those who looked for the new (xii. 11). And, of course, the arranging of his awkward and inelastic material was far more difficult than collecting it--arranging it so as to compel it to tell his story, and carry his argument to its lofty close. It is Story, the sculptor and poet, I believe, who says that "the best part of every work of art is unseen," unexpressed, inexpressible in tones, or verse, or colours: it is that invisible something which lends it dignity, spirit, life, that "style" which, in this case, is in very deed the man. And the best part of Coheleth's noble work is this art of arranging his gnomic sayings in the best order, the order in which they illuminate each other most brightly and contribute most effectively to the total impression. Hence, both in translating and in endeavouring to interpret him, whenever I have had to choose between rival renderings or meanings, I have made it a rule to prefer that which most conduced to the logical sequence of his work or carried the finer sense, deeming that at least so much as this was due to so great a master, and entertaining no fear that I could invent any meaning which would outrun his intention.
In fine, if I were to gather up into a few sentences the impression which "much study" of this Scripture has left on my mind as to the manner in which the author worked upon it, I should say: that Coheleth, a man of much of Solomon's original "largeness of heart" and a great lover of wisdom, set himself to collect the scattered sayings of the sages who were before him. He took the traditional story of Solomon as the ground and framework of his poem, at least at the outset, though he seems to have soon laid it aside, and endeavoured so to assort and arrange the proverbs he had collected that each would lead up to the next; while each group of them would describe some of the ways in which men commonly pursued the chief good, ways in most of which Solomon was at least reputed to have travelled far. Finding gaps which could not be well filled up from his large and various collection, he bridged them over with proverbs of his own composing, till he had got a sufficient account of each of the main adventures of that Quest. And, then, he put adventure after adventure together in the order in which they best led up to his great conclusion.