[26] So Marcus Aurelius (_Meditt._, xi. 1): "They that come after us will see nothing new; and they who went before saw nothing more than we have seen."
Yet this is not the only, not the inevitable, mood of the mind as it ponders that great contrast. _We_ have learned to look upon it with other, perhaps with wider, eyes. We say, How grand, how soothing, how hopeful is the spectacle of nature's uniformity! How it lifts us above the fluctuations of inward thought, and gladdens us with a sense of stability and repose! As we see the ancient inviolable laws working out into the same gracious and beautiful results day after day and year by year, and reflect that "what has been will be," we are redeemed from our bondage to vanity and corruption; we look up with composed and reverent trust to Him who is our God and Father, and onward to the stable and glorious immortality we are to spend with Him; we argue with Habakkuk (chap. i. ver. 12), "Art not _Thou_ from everlasting, O Lord our God, our Holy One? _We_ shall not die," but live.
But if we did not know the Ruler of the universe to be our God and Father; if our thoughts had still to "jump the life to come" or to leap at it with a mere guess; if we had to cross the gulf of death on no more solid bridge than a Peradventure; if, in short, our life were infinitely more troubled and uncertain than it is, and the true good of life and its bright sustaining hope were still to seek, how would it be with us then? Then, like the Preacher, we might feel the steadfastness and uniformity of nature as an affront to our vanity and weakness. In place of drinking in hope and composure from the fair visage and unbroken order of the universe, we might deem its face to be darkened with a frown or its eye to be glancing on us with bitter irony. Instead of finding in its inevitable order and permanence a hopeful prophecy of _our_ recovery into an unbroken order and an enduring peace, we might passionately demand why, on an abiding earth and under an unchanging heaven, we should die and be forgotten; why, more inconstant than the variable wind, more evanescent than the parching stream, one generation should go never to return, and another generation come to enjoy the gains of those who were before them, and to blot their memory from the earth.
This, indeed, _has_ been the impassioned protest and outcry of every age. Literature is full of it. The contrast between the tranquil unchanging sky, with its myriads of pure lustrous stars, which are always there and always in a happy concert, and the frailty of man rushing blindly through his brief and perturbed course has lent its ground-tones to the poetry of every race. We meet it everywhere. It is the oldest of old songs. In all the many languages of the divided earth we hear how the generations of men pass swifty and stormfully across its bosom, "searching the serene heavens with the inquest of their beseeching looks," but winning no response; asking always, and always in vain, "Why are we thus? why are we thus? frail as the moth, and of few days like the flower?" It is this contrast between the serenity and the stability of nature and the frailty and turbulence of man which afflicts Coheleth and drives him to conclusions of despair. Here is man, "so noble in reason, so infinite in faculty, in apprehension so like a god," longing with an ardent intensity for the peace which results from the equipoise and happy occupation of his various powers; and yet his whole life is wasted in labours and tumults, in perplexity and strife; he goes to his grave with his cravings unsatisfied, his powers untrained, unharmonised, knowing no rest till he lies in the narrow bed from which is no uprising! What wonder if to such an one as he "this goodly frame, the earth, seems but a sterile promontory" stretching out a little space into the dark, infinite void; "this most excellent canopy, the air ... this brave o'erhanging firmament, this majestical roof fretted with golden fire," nothing but "a foul, pestilential congregation of vapours"? What wonder if, for him, the very beauty of nature should turn into a repulsive hideousness, and its steadfast, unchanging order be held a satire on the disorder and vanity of his life?