We naturally start with this glaring exhibition of the irony of fate in our study of Ahasuerus, because it is the most pronounced factor in his character and career. There are other elements of the picture, however, which are not, like this, confined to the abnormal experience of solitary rulers. Next to the revenge of absolutism on its possessor, the more vulgar effects of extravagant luxury and self-indulgence are to be seen in the degraded Persian court life. Very likely the writer of our Book of Esther introduces these matters with the primary object of enhancing the significance of his main theme by making us feel how great a danger the Jews were in, and how magnificent a triumph was won for them by the heroic Jewess of the harem. But the scene that he thus brings before us throws light on the situation all round. Xerxes' idea of unbridled power is that it admits of unlimited pleasure. Our author's picture of the splendid palace, with its richly coloured awnings stretched across from marble pillars to silver rods over the tesselated pavement, where the most exalted guests recline in the shade on gold and silver seats, while they feast hugely and drink heavily day after day, shows us how the provinces were being drained to enrich the court, and how the royal treasury was being lavished on idle festivity. That was bad enough, but its effects were worse. The law was licence. "The drinking was according to the law," and this law was that there should be no limit to it, everybody taking just as much wine as he pleased. Naturally such a rule ostentatiously paraded before a dissolute company led to a scene of downright bestial debauchery. According to Herodotus, the Persians were addicted to drunkenness, and the incident described in the first chapter of Esther is quite in accordance with the Greek historian's account of the followers of Xerxes.
The worst effect of this vice of drunkenness is its degrading influence on the conduct and character of men. It robs its victims of self-respect and manliness, and sends them to wallow in the mire with swinish obscenity. What they would not dream of stooping to in their sober moments, they revel in with shameless ostentation when their brains are clouded with intoxicating drink. Husbands, who are gentle and considerate at other times, are then transformed into brutes, who can take pleasure in trampling on their wives. It is no excuse to plead that the drunkard is a madman unaccountable for his actions; he is accountable for having put himself in his degraded condition. If he is temporarily insane, he has poisoned his own intellect by swallowing a noxious drug with his eyes open. He is responsible for that action, and therefore he must be held to be responsible for its consequences. If he had given due consideration to his conduct, he might have foreseen whither it was tending. The man who has been foolish enough to launch his boat on the rapids cannot divert its course when he is startled by the thunder of the falls he is approaching; but he should have thought of that before leaving the safety of the shore.
The immediate consequence of the disgusting degradation of drunkenness, in the case of Ahasuerus, is that the monarch grossly insults his queen. A moment's consideration would have suggested the danger as well as the scandal of his behaviour. But in his heedless folly the debauchee hurls himself over the precipice, from the height of his royal dignity down to the very pit of ignominy, and then he is only enraged that Vashti refuses to be dragged down with him. It is a revolting scene, and one to show how the awful vice of drunkenness levels all distinctions; here it outrages the most sacred rules of Oriental etiquette. The seclusion of the harem is to be violated for the amusement of the dissolute king's boon companions.