_The Call To Prayer_

It is to be noted that the elegist points to a definite occasion for the outpouring of the heart before God. He singles out specifically the sufferings of the starving children--a terrible subject that appears more than once in this elegy, shewing how the horror of it has fastened on the imagination of the poet. This was the most heart-rending and mysterious ingredient in the bitter cup of the woes of Jerusalem. If we may bring any trouble to God we may bring the worst trouble. So this becomes the main topic of the prayer that follows. Here the cases of the principal victims are cited. Priest and prophet, notwithstanding the dignity of office, young man and maiden, old man and little child--all alike have fallen victims. The ghastly incident of a siege, where hunger has reduced human beings to the level of savage beasts, women devouring their own children, is here cited, and its cause, as well as that of all the other scenes of the great tragedy, boldly ascribed to God. It is God who has summoned His Terrors as at other times He had summoned His people to the festivals of the sacred city. But if God mustered the whole army of calamities it seems right to lay the story of the havoc they have wrought before His face; and the prayer reads almost like an accusation, or at least an expostulation, a remonstrance. It is not such, however; for we have seen that elsewhere the elegist makes full confession of the guilt of Jerusalem and admits that the doom of the wretched city was quite merited. Still if the dire chastisement is from the hand of God it is God alone who can bring deliverance. That is the final point to be reached.