This prospect is inseparably associated with the Second Coming of Him who is now concealed from our view; and therefore the cry of the whole waiting creation, whether animate or inanimate, to its Lord is _Come_. The cry, too, and that not only in the case of the first living creature, but (according to a rule of interpretation of which in this book we shall often have to make use) in the case of the three that follow, is uttered _with a voice of thunder_; and thunder is always an accompaniment and symbol of the Divine judgments.
No sooner is the cry heard than it is answered:--
And I saw, and behold a white horse: and he that sat thereon had a bow; and there was given unto him a crown: and he came forth conquering, and to conquer (vi. 2).
Few figures of the Apocalypse have occasioned more trouble to interpreters than that contained in these words. On the one hand, the particulars seem unmistakeably to point to the Lord Himself; but, on the other hand, if the first rider be the glorified Redeemer, it is difficult to establish that harmonious parallelism with the following riders which appears to be required by the well-ordered arrangement of the visions of this book. Yet it is clearly impossible to regard the first rider as merely a symbol of war, for the second rider would then convey the same lesson as the first; nor is there anything in the text to establish a distinction, frequently resorted to, by which the first rider is thought to denote foreign, and the second civil, war. Every attempt also to separate the white horse of this vision from that of the vision at chap. xix. 11 fails, and must fail. Probably it is enough to say that not one of the four riders is a person. Each is rather a cause, a manifestation of certain truths connected with the kingdom of Christ when that kingdom is seen to be, in its own nature, the judgment of the world. Even war, famine, and death and Hades, which follow, are not literally these things. They are simply used, as scourges of mankind, to give general expression to the judgments of God. Thus also under the first rider the cause rather than the person of Christ is introduced to us, in the earliest stage of its victorious progress, and with the promise of its future triumph. The various points of the description hardly need to be explained. The colour of the horse is _white_, for throughout these visions that colour is always the symbol of heavenly purity. The rider has a _crown given_ him, a crown of royalty. He has in his hand a _bow_, the instrument of war by which he scatters his enemies like stubble.[133] Finally, he _comes forth conquering and to conquer_, for his victorious march knows no interruption, and at last leaves no foe unvanquished. In the first rider we have thus the cause of Christ in its essence, as that cause of light which, having already drawn to it the sons of light, has become darkness to the sons of darkness. By the opening of the first Seal we learn that this cause is in the world, that this kingdom is in the midst of us, and that they who oppose it shall be overwhelmed with defeat.
The interpretation now given of the first rider as one who rides forth to judgment on a sinful world is confirmed by what is said of the three that follow him. In them too we have judgment, and judgment only, while the three judgments spoken of--war, famine, and death--are precisely those with which the prophets in the Old Testament and the Saviour Himself in the New have familiarised our thoughts.[134] They are not to be literally understood. Like all else in the visions of St. John, they are used symbolically; and each of them expresses in a general form the calamities and woes, the misfortunes and sorrows, brought by sinful men upon themselves through rejection of their rightful King.