[4] The word rendered "wilderness" means any land unenclosed.
Such is the picture, warm in colour and instinct with life, Jesus sketches in a few well-chosen words. He delicately conceals all reference to Himself; but even the chromatic vision of the Pharisees would plainly perceive how complete was its justification of His own conduct, in mingling thus with the erring and the lost; while to us the parable is but a veil of words, through which we discern the form and features of the "Good Shepherd," who gave even His life for the sheep, seeking that He might save that which was lost.
The second, which is a twin parable, is from domestic life. As in the parables of the kingdom, Jesus sets beside the man with the mustard-seed the woman with her leaven, so here He makes the same distinction, clothing the Truth both in a masculine and a feminine dress. He asks again, "Or what woman" (He does not say "of you," for if women were present amongst His hearers they would be in the background) "having ten pieces of silver, if she lose one piece, doth not light a lamp, and sweep the house, and seek diligently until she find it? And when she hath found it, she calleth together her friends and neighbours, saying, Rejoice with me, for I have found the piece which I had lost." Much objection has been taken to this parable for its supposed want of naturalness and reality. "Is it likely," our objectors say, "that the loss of a small coin like a drachma, whose value was about sevenpence-halfpenny, could be the occasion of so much concern, and that its recovery should be enough to call forth the congratulations of all the village matrons? Surely that is not parable, but hyperbole." But things have a real as well as an intrinsic value, and what to others would be common and cheap, to its possessor might be a treasure beyond reckoning, with all the added values of association and sentiment. So the ten drachmas of the woman might have a history; they might have been a family heirloom, moving quietly down the generations, with whole poems, ay, and even tragedies, hidden within them. Or we can conceive of a poverty so dire and strait that even one small coin in the emergent circumstance might grow into a value far beyond its intrinsic worth. But the parable does not need all these suppositions to steady it and keep it from falling to the ground. When rightly understood it becomes singularly natural, the truth of truth, if such an essence can be distilled in human speech. The probable interpretation is that the ten drachmas were the ten coins worn as a frontlet by the women of the east. This frontlet was given by the bridegroom to the bride at the time of marriage, and like the ring of western life, it was invested with a kind of sanctity. It must be worn on all public occasions, and guarded with a jealous, sacred care; for should one of its pieces be lost, it would be regarded as an indication that the possessor had not only been careless, but also that she had been unfaithful to her marriage vow. Throwing, then, this light of eastern custom upon the parable, how vivid and lifelike it becomes! With what intense eagerness would she seek for the missing coin! Lighting her lamp--for the house would be but dimly lighted with its open door and its small unglazed window--how carefully and almost tremblingly she would peer along its shelves, and sweep out the corners of her few rooms! and how great would be her joy as she saw it glistening in the dust! Her whole soul would go out after it, as if it were a living, sentient thing. She would clasp it in her hand, and even press it to her lips; for has it not taken a heavy care and sorrow from her heart? That one coin rising from the dust has been to her like the rising of another sun, filling her home with light and her life with melody; and what wonder that she hastens to communicate her joy, as, standing by her door, after the eastern wont, she holds up the missing treasure, and calls on her neighbours and friends (the substantives are feminine now) to rejoice with her.