A Brighter Day Begins with His Word.

Watson, Robert A. (Robert Alexander) • SECTION 44

_Deborah'S Song: A Divine Vision._

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Common enough in our day is a profession of belief in God as the source of every good desire and right effort, as inspiring the charity of the generous, the affection of the loving, the fidelity of the true. But if our faith is deep and real it brings us much nearer than we usually feel ourselves to be to Him Who is the Life indeed. The existence and energy of God are assured to those who have this insight. Every kindness done by man to man is a testimony against which denial of the Divine life has no power. Though the intellect searching far afield makes out only as it were some few dim and indistinct footprints of a Mighty Being Who has passed by, seen at intervals on the plains of history, then lost in the morasses or on the rocky ground, there ought to be found in every human life daily evidence of Divine grace and wisdom. The good, the true, the noble constantly appeal to men, find men; and through these God finds them. When a magnanimous word is spoken, God is heard. When a deed is done in love, in purity, in courage or pity, God is seen. When out of languor and corruption and self-indulgence men arise and set their faces to the steep of duty, God is revealed. He in Whom we trust for the redemption of the world never leaves Himself without a witness, whether faith perceives or unbelief denies. The human story unfolds a Divine urgency by which the progress, the evolution of all that is good proceed from age to age. Man has never been left to nature alone nor to himself alone. The supernatural has always mingled with his life. He has resisted often, he has rebelled; yet conscience has not ceased, God has not withdrawn. This living energy of Jehovah, not only as belonging to the past but discovered in the new zeal of Israel, Deborah saw, and in virtue of the revelation she was far before her time. For the fresh life of the people, for the willing self-devotion of so many to the great cause, she lifted her voice in praise to Israel's Eternal Friend.

2. The next passage may be called a prologue in the heavens. Partly historical, it is chiefly a vision of Jehovah's age-long work for His people. In words that flash and roll the song describes the glorious advent of the Most High, nature astir with His presence, the mountains shaking under His tread.

The seat of the Divine Majesty appears to the prophetess to be in Seir. She looks across the hills of the south and passes beyond the desert to that place of mystery where God spoke in thunder and proclaimed Himself in the Law. The imagery points to the phenomena of earthquake and a fearful lightning storm accompanied with heavy rain. These, the most striking natural symbols of the supernatural, form the materials of the strophe. Perhaps even as the song is chanted the thunders of Sinai are echoed in a great storm that shakes the sky and rolls among the hills. The outward signs represent the new impressions of Divine power and authority which are startling and rousing the tribes. They have heard no voices, seen no tokens of God for many a year. He Who led their fathers out of bondage, He Who marched with them through the desert, has been forgotten; but He returns, He is with them again. The office of the prophetess is to celebrate God's presence and excite in the dull souls of men some feeling of His majesty. Sinai once trembled and was dismayed before God. The great peak beside which Tabor is but a mound flowed down in volcanic glow and rush. It is He Whose coming Deborah hears in the beating storm, He Whose victorious feet shake the hills of Ephraim. Have the people forsaken their King? Let them seek Him, trust Him now. Under the shadow of His wings there is refuge; before His arrows and the fierce floods He pours from heaven who can stand?

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