A Brighter Day Begins with His Word.

Robert Ainslie Redford [1828-1906] • SECTION 21

The Pulpit Commentary — Song of Songs — Section 21

← The Pulpit Commentary — Song of Songs

as Aramaic, others as dialectic peculiarities of the Lebanon country; anu we have a warning not to trust too much in human leaders. We must not put our trust in man, but only in God. When men, once honoured and esteemed, fall into sin, we cannot but be distressed; but we must not allow our faith to waver. God is the truth; he continueth faithful; we must trust in him. The internal evidence of the song itself points to a time anterior to the separation of the northern and southern kingdoms; this is not the place to discuss the arguments for a later origin. 3. The meaning. The song seems to rest on an historical basis; its many details, its geographical notices, its many references to circumstances of Solomon's time, to its peace and prosperity (such a period of peace and prosperity as perhaps never occurred again during the chequered history of farael), to its commerce, its magnificence, point to a groundwork of actual fact. It relates the love of the great king for some innocent country maiden-a love that was returned, that for a time at least brought happiness to both, and seemed to refine and elevate the characters of both, as a pure love which leads to a blessed marriage ever does. But holy men of old were led by the Spirit to incorporate this beautiful narrative into the canon of Holy Scripture. That fact invests the song with another and a higher mean- ing. Jewish rabbis regarded it as a parable of the relations between God and Israel. Many of the Christian Fathers have seen in it the love that is between Christ and his Church; the longings of the Christian soul for the presence of the heavenly Bridegroom; the vicissitudes of the spiritual life; the blessed union of the bride, the Lamb's wife, with the Lord of her redemption at the last. There are ;great difficulties in the spiritual interpretation of some passages; but when we consider the position of the song in the sacred book; when we remember that "every Scripture inspired of God is also profitable for teaching, for reproof, for correction, for instruction which is in righteousness;" when we remember the great value which many of God's saints have set ttpon this book, the great spiritual benefit which they have derived from it, we feel that it must be right to regard it as a parable of Divine love, to see under this earthly story a deep and holy heavenly meaning. II. THE FIBST BONG. 1. The bride's longing for the beloved. The three verses (2-4) are often regarded a9 the song of a chorus of virgins, the companions of the bride; perhaps the mingling of the singular and plural pronouns seems rather to suggest that we have in this first song the voice of the bride herself blended with the strains of her virgin-friends. The bride yearns for the embrace of love. In the pure love of Christian man and ma.id, the maiden long desired gives at last the full treasure of her love in answer to that love which had with earnest devotion sought for her affection. Ancient writers see in these words the longing of the Jewish Church for a closer union with God, for the fulfilment of the promise given through the prophet (Hos. ii. 16), "In that day, saith the Lord, thou shalt call me Ishi [' my Husband'], and shalt call me no more Baali [' my Lord']." The Christian Church, the Christian soul, longs for the enjoyment of the Saviour's love. We notice the abrupt beginning, "Let him kiss me." The bride is speaking of one well known, greatly loved. There is no need of exact description; the pronoun is enough; there is only One whose image is ever present to that loving heart. When the Christian, taught by the Holy Ghost, is learning, slowly and imperfectly (as, alas I it must be here), to fulfil the first of all the commandments, he will yearn above all things for that manifestation of himself which the Lord promises to them that love him (John xiv. 21, 23). The traitor's kiss, treacherous as it was, shows that such a token of affection was usual in the intercourse between our Lord and his apostles. His love is unchanging, everlasting; still the Christian soul may say, "The Son of God loved me, and gave himself for me;" still the soul longs for the sense of that blessed love; "the love of Jesus, what it is, none but his loved ones know." The woman that was a sinner kissed the Saviour's feet. The kiss of peace was in apostolic times the token of the love which Christians had one towards another. The kiss of pure and holy love is a parable of the blessed love which is betwixt Christ and his Church. That love is better than wine. Now the bride speaks to the Lord. "Thy love," she says ; she feels that he is coming in answer to the call of love. Earthly joys are poor indeed when compared with that joy which is in the Lord. St. Paul contrasts them iu the Epistle to the Ephesians (v. 18, 19). Excess in wine brings degradation, misery. The Christian soul needs not this spurious excitement; it has a source of joy higher beyond all comparison. It is filled with the Spirit. and the fruit of the Spirit ia lO THE SONG OF SOLOMON, [oH, I. 1.....1...}7,

Public domain historical Pulpit Commentary. Source page identifies the volume as Public Domain; text extracted from its historical PDF.

Project Gutenberg source record →