Chapter XXXIV.--Description of the Structure of the Holy Sepulchre.
This monument, therefore, first of all, as the chief part of the whole, the emperor's zealous magnificence beautified with rare columns, and profusely enriched with the most splendid decorations of every kind.
Chapter XXXV.--Description of the Atrium and Porticos.
The next object of his attention was a space of ground of great extent, and open to the pure air of heaven. This he adorned with a pavement of finely polished stone, and enclosed it on three sides with porticos of great length.
Chapter XXXVI.--Description of the Walls, Roof, Decoration, and Gilding of the Body of the Church.
For at the side opposite to the cave, which was the eastern side, the church itself was erected; a noble work rising to a vast height, and of great extent both in length and breadth. The interior of this structure was floored with marble slabs of various colors; while the external surface of the walls, which shone with polished stones exactly fitted together, exhibited a degree of splendor in no respect inferior to that of marble. With regard to the roof, it was covered on the outside with lead, as a protection against the rains of winter. But the inner part of the roof, which was finished with sculptured panel work, extended in a series of connected compartments, like a vast sea, over the whole church; [3267] and, being overlaid throughout with the purest gold, caused the entire building to glitter as it were with rays of light.
[3267] It would seem from this description that the paneling was like that of Santa Maria Maggiore at Rome, a horizontal surface rather than the pointed roof paneled.
Chapter XXXVII.--Description of the Double Porticos on Either Side, and of the Three Eastern Gates.
Besides this were two porticos on each side, with upper and lower ranges of pillars, [3268] corresponding in length with the church itself; and these also had their roofs ornamented with gold. Of these porticos, those which were exterior to the church were supported by columns of great size, while those within these rested on piles [3269] of stone beautifully adorned on the surface. Three gates, placed exactly east, were intended to receive the multitudes who entered the church.
[3268] Whether this means two series, one underground and one above (Molz. and many), or not, is fully discussed by Heinichen in a separate note (Eusebius, vol. 3, p. 520-521).
[3269] [These inner porticos seem to have rested on massy piles, because they adjoined the sides of the church, and had to bear its roof, which was loftier than any of the rest.--Bag.] Translated by Molz. "Quadrangular supports." "In Architecture a cubic mass of building, to serve for bearings."--Liddell and Scott.
Chapter XXXVIII.--Description of the Hemisphere, the Twelve Columns, and their Bowls.
Opposite these gates the crowning part of the whole was the hemisphere, [3270] which rose to the very summit of the church. This was encircled by twelve columns (according to the number of the apostles of our Saviour), having their capitals embellished with silver bowls of great size, which the emperor himself presented as a splendid offering to his God.
[3270] [Apparently the altar, which was of a hemispherical, or rather hemicylindrical form--Bag.] Also a much-discussed question. Compare Heinichen, vol. 3, p. 521-522.
Chapter XXXIX.--Description of the Inner Court, the Arcades and Porches.
In the next place he enclosed the atrium which occupied the space leading to the entrances in front of the church. This comprehended, first the court, then the porticos on each side, and lastly the gates of the court. After these, in the midst of the open market-place, [3271] the general entrance-gates, which were of exquisite workmanship, afforded to passers-by on the outside a view of the interior which could not fail to inspire astonishment.
[3271] [In front of the larger churches there was generally a street, or open space, where a market was held on the festival of the Martyr to whom the church was dedicated. Regard was also had, in this arrangement, to architectural effect, the object being that nothing should interfere with the view of the front of the church. Vide Valesius in loc.--Bag.]
Chapter XL.--Of the Number of his Offerings.
This temple, then, the emperor erected as a conspicuous monument of the Saviour's resurrection, and embellished it throughout on an imperial scale of magnificence. He further enriched it with numberless offerings of inexpressible beauty and various materials,--gold, silver, and precious stones, the skillful and elaborate arrangement of which, in regard to their magnitude, number, and variety, we have not leisure at present to describe particularly. [3272]
[3272] Some idea of various features of this building may be gathered from the cuts and descriptions of other basilicas in Fergusson, History of Architecture, 1 (1874), 400 sq.; Lübke, Geschichte der Architektur, 1 (Lpg. 1875), 229 sq.; Langl.'s series of Bilder zur Geschichte, &c.