A comparison of the two writers shews the closeness of their relation, and if we had Origen's complete Homilies, and not mere excerpts, the debt of Hilary would certainly be still more manifest. For the compilers of Catenæ have naturally selected what was best in Origen, and most suited for short extracts; his eccentricities have been in great measure omitted. Hence we may err in attributing to Hilary much that is perverse in his comments; there is an abundance of wild mysticism in the fragments of Origen, but its proportion to the whole is undoubtedly less in their present state than in their original condition. Hilary's method was that of paraphrasing, not of servile translation. There is apparently only one literal rendering of an extant passage of Origen, and that a short one [114] ; but paraphrases, which often become very diffuse expansions, are constant [115] . But a just comparison between the two must embrace their differences as well as their resemblances. Hilary has exercised a silent criticism in omitting many of Origen's textual disquisitions. He gives, it is true, many various readings, but his confidence in the Septuagint often renders him indifferent in regard to divergencies which Origen had taken seriously. The space which the latter devotes to the Greek versions Hilary employs in correcting the errors and variations of the Latin, or in explaining the meaning of Greek words. But these are matters which rather belong to the next chapter, concerning, as they do, Hilary's attitude towards Scripture. It is more significant of his tone of mind that he has omitted Origen's speculations on the resurrection of the body, preserved by Epiphanius [116] , and on the origin of evil [117] . Again, Origen delights to give his readers a choice of interpretations; Hilary chooses one of those which Origen has given, and makes no mention of the other. This is his constant habit in the earlier part of the Homilies; towards the end, however, he often gives a rendering of his own, and also mentions, either as possible or as wrong, that which Origen had offered. Or else, though he only makes his own suggestion, yet it is obvious to those who have Origen at hand that he has in his mind, and is refuting for his own satisfaction, an alternative which he does not think good to lay before his audience [118] . A similar liberty with his original occurs in the Homily on Psalm 135, § 12:--The purposes of the present discourse and of this place forbid us to search more deeply.' This must have seemed a commonplace to his hearers; but it happens that Origen's speculations upon the passage have survived, and we can see that Hilary was rather making excuses to himself for his disregard of them than directly addressing his congregation. Apart from the numerous instances where Hilary derives a different result from the same data, there are certain cases where he accepts the current Latin text, though it differed from Origen's Greek, and draws, without any reference to Origen, his own conclusions as to the meaning [119] . These, again, seem to be confined to the latter part of the work, and may be the result of occasional neglect to consult the authorities, rather than a deliberate departure from Origen's teaching.
But the chief interest of the comparison between the writings of these two Fathers upon the Psalms lies in the insight which it affords into their respective modes of thought. Fragmentary as they are, Origen's words are a manifestly genuine and not inadequate expression of his mind; and Hilary, a recognised authority and conscious of his powers, has so moulded and transformed his original, now adapting and now rejecting, that he has made it, even on the ground which is common to both, a true and sufficient representation of his own mental attitude. The Roman contrasts broadly with the Greek. He constantly illustrates his discourse with historical incidents of Scripture, taken in their literal sense; there are few such in Origen. Origen is full, as usual, of praises of the contemplative state; in speculation upon Divine things consists for him the happiness everywhere promised to the saints. Hilary ignores abstract speculation, whether as a method of interpretation or as a hope for the future, and actually describes [120] the contemplation of God's dealings with men as merely one among other modes of preparation for eternal blessings. In the same discourse he paraphrases the words of Origen, He who has done all things that conduce to the knowledge of God,' by They who have the abiding sense of a cleansed heart [121] .' Though he is the willing slave of the allegorical method, yet he revolts from time to time against its excesses in Origen; their treatment of Psalm 126, in the one case practical, in the other mystical, is a typical example [122] . Hilary's attention is fixed on concrete things; the enemies denounced in the Psalms mean for him the heretics of the day, while Origen had recognised in them the invisible agency of evil spirits [123] . The words Who teacheth my hands to fight' suggest to Origen intellectual weapons and victories; they remind Hilary of the I have overcome the world' of Christ [124] . In fact, the thought of Hilary was so charged with definite convictions concerning Christ, and so impressed with their importance that his very earnestness and concentration betrays him into error of interpretation. It would be an insufficient, yet not a false, contrast between him and Origen to say that the latter distorts, with an almost playful ingenuity, the single words or phrases of Scripture, while Hilary, with masterful indifference to the principles of exegesis, will force a whole chapter to render the sense which he desires. And his obvious sincerity, his concentration of thought upon one great and always interesting doctrine, his constant appeal to what seems to be, and sometimes is, the exact sense of Scripture, and the vigour of his style, far better adapted to its purpose than that of Origen; all these render him an even more convincing exponent than the other of the bad system of interpretation which both have adopted. Sound theological deductions and wise moral reflections on every page make the reader willing to pardon a vicious method, for Hilary's doctrine is never based upon his exegesis of the Psalms. No primary truth depends for him upon allegory or mysticism, and it may be that he used the method with the less caution because he looked for nothing more than that it should illustrate and confirm what was already established. Since, then, the permanent interest of the work is that it shews us what seemed to Hilary, as a representative of his age, to be the truth, and we have in it a powerful and original presentation of that truth, we can welcome, as a quaint and not ungraceful enlivening of his argument, this ingenuity of misinterpretation. And we may learn also a lesson for ourselves of the importance of the doctrine which he inculcates with such perseverance. Confronting him as it did, in various aspects, at every turn and in the most unlikely places during his journey through the Psalter, his faith concerning Christ was manifestly in Hilary's eyes the vital element of religion.
The Homilies on the Psalms have never been a popular work. Readable as they are, and free from most of the difficulties which beset the De Trinitate, posterity allowed them to be mutilated, and, as we saw, only a portion has come down to us. Their chief influence, like that of the other treatise, has been that which Hilary has exercised through them upon writers of greater fame. Ambrose has borrowed from them liberally and quite uncritically for his own exposition of certain of the Psalms; and Ambrose, accredited by his own fame and that of his greater friend Augustine, has quite overshadowed the fame of Hilary. The Homilies may, perhaps, have also suffered from an undeserved suspicion that anything written by the author of the De Trinitate would be hard to read. They have, in any case, been little read; and yet, as the first important example in Latin literature of the allegorical method, and as furnishing the staple of a widely studied work of St. Ambrose, they have profoundly affected the course of Christian thought. Their historical interest as well as their intrinsic value commands our respect.
In his Homily on Psalm 138, § 4, Hilary briefly mentions the Patriarchs as examples of faith and adds, but these are matters of which we must discourse more suitably and fully in their proper place.' This is a promise to which till of late no known work of our writer corresponded. Jerome had, indeed, informed us [125] that Hilary had composed a treatise entitled De Mysteriis, but no one had connected it with his words in the Homily. It had been supposed that the lost treatise dealt with the sacraments, in spite of the facts that it is Hilary's custom to speak of types as mysteries,' and that the sacraments are a theme upon which he never dwells. But in 1887 a great portion of Hilary's actual treatise on the Mysteries was recovered in the same manuscript which contained the more famous Pilgrimage to the Holy Places of Silvia of Aquitaine [126] . It is a short treatise of two books, unhappily mutilated at the beginning, in the middle and near the end, though the peroration has survived. The title is lost, but there is no reason to doubt that Jerome was nearly right in calling it a tractatus, though he would have done better had he used the plural. It is written in the same easy style as the Homilies on the Psalms, and if it was not originally delivered as two homilies, as is probable, it must be a condensation of several discourses into a more compact form. The first book deals with the Patriarchs, the second with the Prophets, regarded as types of Christ. The whole is written from the point of view with which Hilary's other writings have made us familiar. Every deed recorded in Scripture proclaims or typifies or proves the advent of the incarnate Christ, and it is Hilary's purpose to display the whole of His work as reflected in the Old Testament, like an image in a mirror. He begins with Adam and goes on to Moses, deriving lessons from the lives of all the chief characters, often with an exercise of great ingenuity. For instance, in the history of the Fall Eve is the Church, which is sinful but shall be saved through bearing children in Baptism [127] ; the burning bush is a type of the endurance of the Church, of which St. Paul speaks in 2 Cor. iv. 8 [128] ; the manna was found in the morning, the time of Christ's Resurrection and therefore of the reception of heavenly food in the Eucharist. They who collect too much are heretics with their excess of argument [129] . In the second book we have a fragmentary and desultory treatment of incidents in the lives of the Prophets, which Hilary ends by saying that in all the events which he has recorded we recognise God the Father and God the Son, and God the Son from God the Father, Jesus Christ, God and Man [130] .' The peroration, in fact, reads like a summary of the argument of the De Trinitate. Of the genuineness of the little work there can be no doubt. Its language, its plan, its arguments are unmistakably those of Hilary [131] . The homilies were probably delivered soon after he had finished his course on the Psalms, of which they contain some reminiscences, such as we saw are found in the later Homilies on the Psalms of earlier passages in the same. In all probability the subject matter of the De Mysteriis is mainly drawn from Origen. It is too short, and too much akin to Hilary's more important writings, to cast much light upon his modes of thought. He has, indeed, no occasion to speak here upon the points on which his teaching is most original and characteristic.
In this same manuscript, discovered by Gamurrini at Arezzo, are the remains of what professes to be Hilary's collection of hymns. He has always had the fame of being the earliest Latin hymn writer. This was, indeed, a task which the circumstances of his life must have suggested to him. The conflict with Arianism forced him to become the pioneer of systematic theology in the Latin tongue; it also drove him into exile in the East, where he must have acquainted himself with the controversial use made of hymnody by the Arians. Thus it was natural that he should have introduced hymns also into the West. But if the De Trinitate had little success, the hymns were still more unfortunate. Jerome tells us that Hilary complained of finding the Gauls unteachable in sacred song [132] ; and there is no reason to suppose that he had any wide or permanent success in introducing hymns into public worship [133] . If Hilary must have the credit of originality in this respect, the honour of turning his suggestion to account belongs to Ambrose, whose fame in more respects than one is built upon foundations laid by the other. And if but a scanty remnant of the verse of Ambrose, popular as it was, survives, we cannot be surprised that not a line remains which can safely be attributed to Hilary, though authorities who deserve respect have pronounced in favour of more than one of the five hymns which we must consider.