A Brighter Day Begins with His Word.

History of the Christian Church • VOLUME 6

§ 64. PROGRESS AND PATRONS OF CLASSICAL STUDIES. 583

['Schaff, Philip, 1819-1893', 'Schaff, David Schley, 1852-'] • Public-domain historical edition in the United States (published 1889); OCR from Internet Archive scan

§ 64. PROGRESS AND PATRONS OF CLASSICAL STUDIES. 583

ematics^aiid_£hilosophy were taught. To his literary curriculum Feltre added gymnastic exercises and set his pupils a good example by his chastity and temperance. He was represented as a pelican which nourishes her young with her own blood. Pastor, who calls this teacher the greatest Italian pedagogue of the Renaissance period, is careful to notice that he had mass said every morning before beginning the sessions of the day.

The Humanists were fortunate in securing the encouragement of the rich and powerful. Literature has never had more tTBeral and intelligent patrons than it had in Italy in the 15th century. The munificence of Maecenas was equalled and surpassed by Cosimo and Lorenzo de' Medici in Florence and Nicolas V. in Rome. Other cities had their literary benefactors, but some of these were most noted for combining profligacy with their real or affected interest in literary culture. Humanists were in demand. Popes needed secretaries, and princes courted orators and poets who could conduct a polished correspondence, write addresses, compose odes for festive occasions and celebrate their deeds. Lionardo Bruni, Valla, Bembo, Sadoleto and other Humanists were secretaries or annotators at the papal court under Nicolas V. and his successors.

Cosimo de' Medici, d. 1'464, the most munificent promoter of arts and letters that Europe had seen for more than a thousand years, was the richest banker of the republic of Florence, scholarly, well-read and, from taste and ambition, deeply interested in literature. We have already met him at Constance during the council. He travelled extensively in France and Germany and ruled Florence, after a temporary exile, as a republican merchant-prince, for 30 years. He encouraged scholars by gifts of money and provided for the purchase of manuscripts, without assuming the air of condescension which spoils the generosity of the gift, but with a feeling of respect for superior merit. His literary minister, Nicolo de' Niccoli, 1364-1437, was a centre of attraction to literary men in Florence and collected and, in great part, copied 800 codices. Under his auspices, Poggio searched some of the South German convents and found at St. Gall the first complete Quintil-

584 THE MIDDLE AGES. A.D. 1294-1517.

ian. Niccoli's library, through Cosimo's mediation, was given to S. IVrarco, and forms a part of the Medicean library. With the same enlightened liberality, Cosimo also encouraged the fine arts. He was a great admirer of the saintly painter, Fra Angelico, whom he ordered to paint the history of the crucifixion on one of the walls of the chapter-house of S. Marco. Among the scholars protected in Florence under Cosimo's administration were the Platonist Ficino, Lionardo Bruni and Poggio. During the last year of his life, Cosimo had read to him Aristotle's Etfdcs and Ficino's translation of Plato's The Highest Good. He also contributed to churches and convents, and by the erection of stately buildings turned Florence into the Italian Athens.

Cosimo's grandson_and worthy successor, Lorenzo de' Medici, d. 149^, was well educated in Latin and Gre^ "by Landino, Argyropulos and Ficino. He was a man of polite culture and himself no mean poet, whose songs were sung on the streets of Florence. His family life was reputable. He liked to play with his children and was very fond of his son Giovanni, afterwards Leo X. Michelangelo and Pico della Mirandola were among tlu- oriKuncnts of his court. By his lavish expenditures he brought himself and the republic to the brink of bankruptcy in 1490.

Federigo da Montefeltro, duke of Urbino, d. 1482, and Alfonso of Naples also deserve special mention as patrons of learning. Federigo, a pupil of Vittorino da Feltre, was a scholar and an admirer of patristic as well as classical learning. He also cultivated a taste for music, painting and architecture, employed 30 and 40 copyists at a time, and founded, at an expense of 40,000 ducats, a library which, in 1657, was incorporated in the Vatican.

Alfonso was the special patron of the skeptical Laurentius Valla and the licentious Beccadelli, 1394-1471, and also had at his court the Greek scholars, George of Trebizond and the younger Chrysoloras. He listened with delight to literary, philosophical and theological lectures and disputes, which were held in his library. He paid large sums for literary work, giving Beccadelli 1000 gold guldens for his Hermaphrodita^ and

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