RELIGIOUS ENCYCLOPEDIA
Sacred Music Sacrifice
Moore, Complete Encyclopedia oj Music, Boston, 1854; F. J. Fetis, Biographie universelle des musiciens, et bibliographie gin&rale de la musique, 10 vols., Paris, 1860— 1881; H. Mendel and A. Reissmann, Musikalisches Conversations-Lexikon, 12 vols., Berlin, 1869-83; J. D. Brown, Biographical Dictionary of Musicians, London, 1886; J. D. Champlin and W. F. Apthorp, Cyclopedia of Music and Musicians, 3 vols., New York, 1888-90; J. Stainer and W. J. Barrett, Dictionary of Musical Terms, new ed., London, 1898; R. Eitner, Biographisch-bibliographisches Quellen-Lexikon, 10 vols., Leipsic, 1900-04; G: Grove, Dictionary of Music and Musicians, ed. J. A. F. Mainland, 5 vols., London, 1904-10; T. Baker, Biographical Dictionary of Musicians, 2d ed., New York, 1905; H. Riemann, Musik-Lexikon, 6th ed., Leipsic, 1905.
On the music of the Latin Church consult: J. Pothier, Der gregorianische Choral, Tournay, 1881; J. Tardif, Methods theorique et pratique de Plain-Chant, Angers, 1883; Thiery, Etude sur le chant gregorien, Bruges, 1883; W. J. Walsh, Grammar of Gregorian Music, Dublin, 1885; J. N. Lemmens, Du Chant gregorien, Ghent, 1886; E. Burnouf, Les Chants de Veglise latine, Paris, 1887; F. A. Gevaert, Le Chant liturgique dans Viglise latine, Brussels, 1889; idem, Les Origines du chant liturgique dans Veglise latine, Ghent, 1890; V. J. Coornaert, Traite de Plainchant sacre, Bruges, 1890; T. E. X. Normand, Torfs, V Archeologie musicale et le vrai chant gregorien, Paris, 1890; T. Nisard, V Archeologie musicale et le vrai chant gregorien, Paris, 1890; L. Lootens, La theorie musicale du chant gregorien, Paris, 1895; P. Wagner, Einfiihrung in die gregorianischen Melodien. Ein Handbuch der Choralkunde, Freiburg, 1895; A. Gastoue, Les Origines du chant romain; V antiphonaire gregorien, Paris, 1908.
General works on the history of music are: F. W. Marpurg, Historisch-kritische Beitrage zur Geschichte der Musik, 5 vols., Berlin, 1744-62; C. Burney, History of Music from the Earliest Ages to the Present Time, 4 vols., London, 1776-1789 ; Sir John Hawkins, History of the Science and Practice of Music, 5 vols., London, 1776, new issue, reedited, 1853-75; M. Gerbert, Scriptores ecclesiaslici de musica sacra, 3 vols., St. Blasieu, 1784 sqq.; J. N. Forkel, AUgemeine Geschichte der Musik, 2 vols., Leipsic, 1788- 1801; T. Busby, General History of Music, 2 vols., London, 1819; J. Jebb, Choral Service of the United Church of England and Ireland, ib. 1843; C. von Winterfeld, Der evangelische Kirchengesang, 3 parts, Leipsic, 1843-47; idem, Zur Geschichte heiligen Tonkunst, 2 parts, ib., 1850-52; R. G. Kieswetter, History of the Modern Music of Western Europe, London, 1848; N. E. Cornwall, Music as it was and as it is. New York, 1851; C. E. H. de Coussemaker, Hist, de Vharmonie au moyen age, Paris, 1852; idem, V Art harmonique 12.-13. siccles, ib. 1865; Austin Phelps, Edwards A. Park, Daniel L. Furber, Hymns and Choirs, Andover, 1860; J. Schliiter, AUgemeine Geschichte der Musik, Leipsic, 1863, Eng. transl., General History of Music, London, 1865; G. von Tucher, Ueber den Gemeindegesang der evangelischen Kirche, Leipsic, 1867; E. Naumann, Die Tonkunst in der Kulturgeschichte, Berlin, 1869-70; idem, Illustrirte Musikgeschichte, Stuttgart, 1880-85; F.J. Fetis, Hist, generate de la musique, 5 vols., Paris, 1859-76; F. L. Ritter, History of Music, 2 vols., Boston, 1874; O. Douen, Clement Marot et le Psautier Huguenot; etude litteraire, musicale et bibliographique, Paris, 1878-79; J. Hullah, The Transition Period of Musical History, London and New York, 3 vols., with supplement, 1879-1883; J. Sittard, Compendium der Geschichte der Kirchenmusik, Stuttgart, 1881; W. A. Barrett, English Church Composers, London, 1882; F. A. T. Klinkhardt, Die Kunst, insonderheit die Tonkunst, als Dienerin im Heiligtum, Leipsic, 1883; J. S. Curwen, Studies in Worship Music, 2 series, London, 1885— 1888; F. M. Bohme, Die Geschichte des Cratoriums, Giitersloh, 1887; E. L. Taunton, History of Church Music, London, 1887; F. G. Edward3, Common Praise; a practical Handbook of Nonconformist Church Music, ib. 1887; A. W. Ambros, Geschichte der Musik, 3d ed., 3 vols., Leipsic, 1887- 1S93; Mrs. M. E. and W. A. Brown, Musical Instruments and their Homes, New York, 1888 ; P. Krutschek, Die Kirchenmusik nach dem Witten der Kirche, Regensburg, 1889; F. L. Humphreys, The Evolution of Church Music, London, 1890; P. Wulfrum, Die Entstehung des deutschen evangelischen Kirchenliedes in musikalischen Beziehung, Leipsic, 1890; J. Love, Scottish Church Music, Edinburgh, 1891 (on hymn tunes); R. B. Daniel, Chapters on Church Music, London, 1894; Henry Davey, Hist, of English
Music, ib. 1895; F. Bachmann, Grundlagen und Grundfragenzur evanglischen Kirchenmusik, Giitersloh, 1899; H. Riemann, Beruhmte Musiker. Lebens- und Charakterbilder, Berlin, 1900; A. A. Chapin, Masters of Music, London, 1901; W. S. Pratt, Musical Ministries in the Church: Studies in History, Theory, and Administration of Sacred Music, New York, 1901; idem, Hist, of Music, ib. 1907 (contains bibliography); A. Prosniz, Compendium der Musikgeschichte, 2d ed., Vienna, 1901 sqq.; H. E. Wooldridge, Sir C. H. H. Parry, J. A. F. Maitland, W. H. Hadow, and E. Dannreuther, The Oxford History of Music, 6 vols., Oxford, 1901-05; F. J. Crowest, The Story of Music, London, 1902; E. Dickinson, Music in the History of the Western Church; Criticism on religious Music among primitive and ancient Peoples, New York, 1902 ; F. Brendel, Geschichte der Musik, Leipsic, 1903; O. Keller, Illustrierte Geschichte der Musik, 2 vols., Munich, 1903-04; H. Riemann, Handbuch der Musikgeschichte, Leipsic, 1904-05; W. J. Baltzell, A Complete History of Music, Philadelphia, 1905; C. H. H. Parry, The Art of Music, 4th ed., London, 1905; E. Dickinson, Growth and Development of Music, ib. 1905; P. Viardot, Hisloire de la musique, Paris, 1905; E. Walker, Hist, of Music in England, London, 1907; J. S. Bumpus, Hist, of Eng. Cathedral Music, 1549-1889, 2 vols., London, 1908; J. H. Edwards, God and Music, New York, 1908; E. S. Lorenz, Practical Church Music, ib. 1909; P, C. Lutkin, Music in the Church, Milwaukee, 1910.
SACRIFICATI. See Lapsed.