Then, on the other side, there is the reminder and exhortation: 'He is thy Lord, worship thou Him.' The beggar-maid that, in the old ballad, married the king, in all her love was filled with reverence; and the ragged, filthy souls, whom Jesus Christ stoops to love, and wash, and make His own, are never to forget, in the highest rapture of their joy, their lowly adoration, nor in the glad familiarity of their loving approach to Him, cease to remember that the test of love is, 'Keep My commandments.'
There are types of emotional and sentimental religion that have a great deal more to say about love than about obedience; that are full of half wholesome apostrophes to a 'dear Lord,' and almost forget the '_Lord_' in the emphasis which they put on the '_dear_.' And I want you to remember this, as by no means an unnecessary caution, and of especial value in some quarters to-day, that the test of the reality of Christian love is its lowliness, and that all that which indulges in heated emotion, and forgets practical service, is rotten and spurious. Though the King desire her beauty, still, when He stretches out the golden sceptre, Esther must come to Him with lowly guise and a reverent heart. 'He is thy Lord, worship thou Him.'
III. The next point in this portraiture is the reflected honour and influence of the bride.
There are difficulties about the translation of the 12th verse of our psalm with which I do not need to trouble you. We may take it for our purpose as it stands before us. 'The daughter of Tyre' (representing the wealthy, outside nations) 'shall be there with a gift; even the rich among the people shall entreat thy favour.'
The bride being thus beloved by the King, thus standing by His side, those around recognise her dignity and honour, and draw near to secure her intercession. Translate that out of the emblem into plain words, and it comes to this--if Christian people, and communities of such, are to have influence in the world, they must be thorough-going Christians. If they are, they will get hatred sometimes; but men know honest people and religious people when they see them, and such Christians will win respect and be a power in the world. If Christian men and Christian communities are despised by outsiders, they very generally earn the contempt and deserve it, both from men and from heaven. The true evangelist is Christian character. They that manifestly live with the sunshine of the Lord's love on their faces, and whose hands are plainly clear from worldly and selfish graspings, will have the world recognising the fact and honouring them accordingly. 'The sons of them that afflicted thee shall come bending unto thee, and all they that despised thee shall bow themselves down to the soles of thy feet.' When the Church has cast the world out of its heart, it will conquer the world--and not till then.
IV. The next point in this picture is the fair adornment of the bride. The language is in part ambiguous; and if this were the place for commenting would require a good deal of comment. But we take it as it stands in our Bible, 'The King's daughter is all glorious within'--not within her nature, but within the innermost recesses of the palace--'her clothing is of wrought gold. She shall be brought unto the King in raiment of needlework.'
It is an easy and well-worn metaphor to talk about people's character as their dress. We speak about the 'habits' of a man, and we use that word to express both his customary manners and his costume. Custom and costume, again, are the same word. So here, without any departure from the well-trodden path of Scriptural emblem, we cannot but see in the glorious apparel the figure of the pure character with which the bride is clothed. The Book of the Revelation dresses her in the fine linen clean and white, which symbolises the lustrous radiance and snowy purity of righteousness. The psalm describes her dress as partly consisting in garments gleaming with gold, which suggests splendour and glory, and partly in robes of careful and many-coloured embroidery, which suggests the patience with which the slow needle has been worked through the stuff, and the variegated and manifold graces and beauties with which she is adorned.