So, putting all the metaphors together, the true Christian character, which will be ours if we really are the subjects of that divine love, will be lustrous and snowy as the snows on Hermon, or as was the garment whose whiteness outshone the neighbouring snows when He was 'transfigured before them.' Our characters will be splendid with a splendour far above the tawdry beauties and vulgar conspicuousness of the 'heroic' and worldly ideals, and will be endowed with a purity and harmony of colouring in richly various graces, such as no earthly looms can ever weave.
We are not told here how the garment is attained. It is no part of the purpose of the psalm to tell us that, but it is part of its purpose to insist that there is no marriage between Christ and the soul except that soul be pure, none except it be robed in the beauty of righteousness and the splendour of consecration, and the various gifts of an all-giving Spirit. The man that came into the wedding-feast, with his dirty, every-day clothes on, was turned out as a rude insulter. But what of the queen that should come foully dressed? There would be no place for her amidst its solemnities. You will never stand at the right hand of Christ, unless jour souls here are clothed in the fine linen clean and white, and over it the flashing wealth and the harmonised splendour of the gold and embroidery of Christlike graces. We know how to get the garment. Faith strips the rags and puts the best robe on us; and effort based upon faith enables us day by day to put off the old man with his deeds and to put on the new man. The bride 'made _herself_ ready,' and 'to her was _granted_ that she should be arrayed in fine linen, clean and white.'
V. Lastly, we have the picture of the homecoming of the bride. 'She shall be brought unto the King.... with gladness and rejoicing shall they be brought; they shall enter into the King's palace.'
The presence of virgin companions waiting on the bride is no more difficult to understand here than it is in Christ's parable of the Ten Virgins. It is a characteristic of all parabolical representation to be elastic, and sometimes to duplicate its emblems for the same thing; and that is the case here. But the main point to be insisted upon is this, that, according to the perspective of Scripture, the life of the Christian Church here on earth is, if I may so say, a betrothal in righteousness and loving-kindness; and that the betrothal waits for its consummation in that great future when the bride shall pass into the presence of the King. The whole collective body of sinful souls redeemed by His blood, and who know the sweetness of His partially received love, shall be drawn within the curtains of that upper house, and enter into a union with Christ Jesus ineffable, incomprehensible till experienced; and of which the closest union of loving souls on earth is but a dim shadow. 'He that is joined to the Lord is one spirit'; and the reality of our union with Him rises above the emblem of a marriage, as high as spirit rises above flesh.
The psalm stops at the palace-gate. 'Eye hath not seen, nor ear heard, neither have entered into the heart of man the things which God hath prepared for them that love Him.' But there is a solemn prelude to that completed union and its deep rapture. Before it there comes the last campaign of the conquering King on the white horse, who wars in righteousness. Dear friends! you must choose now whether you will be of the company of the Bride or of the company of the enemy. 'They that were ready went in with Him unto the marriage, and the door was shut.'