A Brighter Day Begins with His Word.

Alexander Maclaren, 1826-1910 • SECTION 39

Psalm Xlviii.

← The Expositor's Bible: The Psalms, Vol. 2

But the main thought of this first part is independent of such minute difficulties. It is that the one thing which made Zion-Jerusalem glorious was God's presence in it. It was beautiful in its elevation; it was safely isolated from invaders by precipitous ravines, inclosing the angle of the plateau on which it stood. But it was because God dwelt there and manifested Himself there that it was "a joy for all the earth." The name by which even the earthly Zion is called is "Jehovah-Shammah, The Lord is there." We are not forcing New Testament ideas into Old Testament words when we see in the psalm an eternal truth. An idea is one thing; the fact which more or less perfectly embodies it is another. The idea of God's dwelling with men had its less perfect embodiment in the presence of the Shechinah in the Temple, its more perfect in the dwelling of God in the Church, and will have its complete when the city "having the glory of God" shall appear, and He will dwell with men and be their God. God in her, not anything of her own, makes Zion lovely and gladdening. "Thy beauty was perfect through My comeliness which I had put upon thee, saith the Lord."

The second part pictures Zion's deliverance with picturesque vigour (vv. 3-8). Ver. 3 sums up the whole as the act of God, by which He has made Himself known as that which the refrain of Psalm xlvi. declared Him to be--a refuge, or, literally, a high tower. Then follows the muster of the hosts. "The kings were assembled." That phrase need not be called exaggeration, nor throw doubt on the reference to Sennacherib's army, if we remember the policy of Eastern conquerors in raising their armies from their conquests, and the boast which Isaiah puts into the mouth of the Assyrian: "Are not my princes altogether kings?" They advance against the city. "They saw,"--no need to say what. Immediately they "were amazed." The sight of the city broke on them from some hill-crest on their march. Basilisk-like, its beauty was paralysing, and shot a nameless awe into their hearts. "They were terror-struck; they fled." As in Psalm xlvi. 6, the clauses, piled up without cement of connecting particles, convey an impression of hurry, culminating in the rush of panic-struck fugitives. As has been often noticed, they recall Cæsar's _Veni, vidi, vici_; but these kings came, saw, _were_ conquered. No cause for the rout is named. No weapons were drawn in the city. An unseen hand "smites once, and smites no more"; for once is enough. The process of deliverance is not told; for a hymn of victory is not a chronicle. One image explains it all, and signalises the Divine breath as the sole agent. "Thou breakest the ships of Tarshish with an east wind" is not history, but metaphor. The unwieldy, huge vessel, however strong for fight, is unfit for storms, and, caught in a gale, rolls heavily in the trough of the sea, and is driven on a lee shore and ground to pieces on its rocks. "God blew upon them, and they were scattered," as the medal struck on the defeat of the Armada had it. In the companion psalm God's uttered voice did all. Here the breath of the tempest, which is the breath of His lips, is the sole agent.

The past, of which the nation had heard from its fathers, lives again in their own history; and that verification of traditional belief by experience is to a devout soul the chief blessing of its deliverances. There is rapture in the thought that "As we have heard, so have we seen." The present ever seems commonplace. The sky is farthest from earth right overhead, but touches the ground on the horizon behind and before. Miracles were in the past; God will be manifestly in the far-off future, but the present is apt to seem empty of Him. But if we rightly mark His dealings with us, we shall learn that nothing in His past has so passed that it is not present. As the companion psalm says, "The God of Jacob is _our_ refuge," this exclaims, "As we have heard, so have we seen."

Public domain in the USA; original historical text digitized by Project Gutenberg.

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