It was beneath these influences that Zechariah grew up, and to them we may trace, not only numerous details of his Visions, but the whole of their involved symbolism. He was himself a priest and the son of a priest, born and bred in the very order to which we owe the codification of the ritual, and the development of those ideas of guilt and uncleanness that led to its expansion and specialisation. The Visions in which he deals with these are the Third to the Seventh. As with Haggai there is a High Priest, in advance upon Ezekiel and in agreement with the Priestly Code. As in the latter the High Priest represents the people, and carries their guilt before God.[786] He and his colleagues are pledges and portents of the coming Messiah. But the civil power is not yet diminished before the sacerdotal, as in the Priestly Code. We shall find indeed that a remarkable attempt has been made to alter the original text of a prophecy appended to the Visions,[787] in order to divert to the High Priest the coronation and Messianic rank there described. But any one who reads the passage carefully can see for himself that the crown (a single crown, as the verb which it governs proves[788]) which Zechariah was ordered to make was designed for Another than the priest, that the priest was but to stand at this Other’s right hand, and that there was to be concord between the two of them. This Other can only have been the Messianic King, Zerubbabel, as was already proclaimed by Haggai.[789] The altered text is due to a later period, when the High Priest became the civil as well as the religious head of the community. To Zechariah he was still only the right hand of the monarch in government; but, as we have seen, the religious life of the people was already gathered up and concentrated in him. It is the priests, too, who by their perpetual service and holy life bring on the Messianic era.[790] Men come to the Temple to propitiate Jehovah, for which Zechariah uses the anthropomorphic expression _to make smooth_ or _placid His face_.[791] No more than this is made of the sacrificial system, which was not in full course when the Visions were announced. But the symbolism of the Fourth Vision is drawn from the furniture of the Temple. It is interesting that the great candelabrum seen by the prophet should be like, not the ten lights of the old Temple of Solomon, but the seven-branched candlestick described in the Priestly Code. In the Sixth and Seventh Visions, the strong convictions of guilt and uncleanness, which were engendered in Israel by the Exile, are not removed by the sacrificial means enforced in the Priestly Code, but by symbolic processes in the style of the visions of Ezekiel.
The Visions in which Zechariah treats of the outer history of the world are the first two and the last, and in these we notice the influence of the Apocalypse developed during the Exile. In Zechariah’s day Israel had no stage for their history save the site of Jerusalem and its immediate neighbourhood. So long as he keeps to this Zechariah is as practical and matter-of-fact as any of the prophets, but when he has to go beyond it to describe the general overthrow of the heathen, he is unable to project that, as Amos or Isaiah did, in terms of historic battle, and has to call in the apocalyptic. A people such as that poor colony of exiles, with no issue upon history, is forced to take refuge in Apocalypse, and carries with it even those of its prophets whose conscience, like Zechariah’s, is most strongly bent upon the practical present. Consequently these three historical Visions are the most vague of the eight. They reveal the whole earth under the care of Jehovah and the patrol of His angels. They definitely predict the overthrow of the heathen empires. But, unlike Amos or Isaiah, the prophet does not see by what political movements this is to be effected. The world _is_ still _quiet and at peace_.[792] The time is hidden in the Divine counsels; the means, though clearly symbolised in _four smiths_ who come forward to smite the horns of the heathen,[793] and in a chariot which carries God’s wrath to the North,[794] are obscure. The prophet appears to have intended, not any definite individuals or political movements of the immediate future, but God’s own supernatural forces. In other words, the Smiths and Chariots are not an allegory of history, but powers apocalyptic. The forms of the symbols were derived by Zechariah from different sources. Perhaps that of the _smiths_ who destroy the horns in the Second Vision was suggested by the _smiths of destruction_ threatened upon Ammon by Ezekiel.[795] In the horsemen of the First Vision and the chariots of the Eighth, Ewald sees a reflection of the couriers and posts which Darius organised throughout the empire; they are more probably, as we shall see, a reflection of the military bands and patrols of the Persians. But from whatever quarter Zechariah derived the exact aspect of these Divine messengers, he found many precedents for them in the native beliefs of Israel. They are, in short, angels, incarnate as Hebrew angels always were, and in fashion like men. But this brings up the whole subject of the angels, whom he also sees employed as the mediators of God’s Word to him; and that is large enough to be left to a chapter by itself.[796]