The next two chapters may be regarded as pendants to the theme which is dealt with in this opening section of the book of Ezekiel. In the fourth and fifth chapters the prophet had mainly the city in his eye as the focus of the nation’s life; in the sixth he turns his eye to the land which had shared the sin, and must suffer the punishment, of the capital. It is, in its first part (vv. 2‐10), an apostrophe to the mountain land of Israel, which seems to stand out before the exile’s mind with its mountains and hills, its ravines and valleys, in contrast to the monotonous plain of Babylonia which stretched around him. But these mountains were familiar to the prophet as the seats of the rural idolatry in Israel. The word _bāmah_, which means properly “the height,” had come to be used as the name of an idolatrous sanctuary. These sanctuaries were probably Canaanitish in origin; and although by Israel they had been consecrated to the worship of Jehovah, yet He was worshipped there in ways which the prophets pronounced hateful to Him. They had been destroyed by Josiah, but must have been restored to their former use during the revival of heathenism which followed his death. It is a lurid picture which rises before the prophet’s imagination as he contemplates the judgment of this provincial idolatry: the altars laid waste, the “sun‐pillars”(20) broken, and the idols surrounded by the corpses of men who had fled to their shrines for protection and perished at their feet. This demonstration of the helplessness of the rustic divinities to save their sanctuaries and their worshippers will be the means of breaking the rebellious heart and the whorish eyes that had led Israel so far astray from her true Lord, and will produce in exile the self‐loathing which Ezekiel always regards as the beginning of penitence.
But the prophet’s passion rises to a higher pitch, and he hears the command “Clap thy hands, and stamp with thy foot, and say, Aha for the abominations of the house of Israel!” These are gestures and exclamations, not of indignation, but of contempt and triumphant scorn. The same feeling and even the same gestures are ascribed to Jehovah Himself in another passage of highly charged emotion (ch. xxi. 17). And it is only fair to remember that it is the anticipation of the victory of Jehovah’s cause that fills the mind of the prophet at such moments and seems to deaden the sense of human sympathy within him. At the same time the victory of Jehovah was the victory of prophecy, and in so far Smend may be right in regarding the words as throwing light on the intensity of the antagonism in which prophecy and the popular religion then stood. The devastation of the land is to be effected by the same instruments as were at work in the destruction of the city: first the sword of the Chaldæans, then famine and pestilence among those who escape, until the whole of Israel’s ancient territory lies desolate from the southern steppes to Riblah in the north.(21)
Ch. vii. is one of those singled out by Ewald as preserving most faithfully the spirit and language of Ezekiel’s earlier utterances. Both in thought and expression it exhibits a freedom and animation seldom attained in Ezekiel’s writings, and it is evident that it must have been composed under keen emotion. It is comparatively free from those stereotyped phrases which are elsewhere so common, and the style falls at times into the rhythm which is characteristic of Hebrew poetry. Ezekiel hardly perhaps attains to perfect mastery of poetic form, and even here we may be sensible of a lack of power to blend a series of impressions and images into an artistic unity. The vehemence of his feeling hurries him from one conception to another, without giving full expression to any, or indicating clearly the connection that leads from one to the other. This circumstance, and the corrupt condition of the text together, make the chapter in some parts unintelligible, and as a whole one of the most difficult in the book. In its present position it forms a fitting conclusion to the opening section of the book. All the elements of the judgment which have just been foretold are gathered up in one outburst of emotion, producing a song of triumph in which the prophet seems to stand in the uproar of the final catastrophe and exult amid the crash and wreck of the old order which is passing away.