Men also abuse sorrow by defying it, but the end of this is madness. "It forms the greater part of the tragedy of _King Lear_, that the aged monarch, though he has given his throne away, retains his imperiousness of heart, and continues to exhibit a senseless, if sometimes picturesque, pride and selfishness in face of misfortune. Even when he is overthrown he must still command; he fights against the very elements; he is determined to be at least the master of his own sufferings and destiny. But for this the necessary powers fail him; his life thus disordered terminates in madness. It was only by such an affliction that a character like his could be brought to repentance, ... to humility, which is the parent of true love, and that love in him could be purified. Hence the melancholy close of that tragedy."[8] As Shakespeare has dealt with the king, so Isaiah with the people; he also shows us sorrow when it is defied bringing forth madness. On so impious a height man's brain grows dizzy, and he falls into that terrible abyss which is not, as some imagine, hell, but God's last purgatory. Shakespeare brings shattered Lear out of it, and Isaiah has a remnant of the people to save.
[8] Ulrici: _Shakespeare's Dramatic Art_.
ISAIAH vi. (740 B.C.; WRITTEN 735? OR 725?).
It has been already remarked that in chapter vi. we should find no other truths than those which have been unfolded in chapters ii.-v.: the Lord exalted in righteousness, the coming of a terrible judgement from Him upon Judah, and the survival of a bare remnant of the people. But chapter vi. treats the same subjects with a difference. In chapters ii.-iv. they gradually appear and grow to clearness in connection with the circumstances of Judah's history; in chapter v. they are formally and rhetorically vindicated; in chapter vi. we are led back to the secret and solemn moments of their first inspiration in the prophet's own soul. It may be asked why chapter vi. comes last and not first in this series, and why in an exposition, attempting to deal, as far as possible, chronologically with Isaiah's prophecies, his call should not form the subject of the first chapter. The answer is simple, and throws a flood of light upon the chapter. In all probability chapter vi. was written after its predecessors, and what Isaiah has put into it is not only what happened in the earliest moments of his prophetic life, but that spelt out and emphasized by his experience since. The ideal character of the narrative, and its date some years after the events which it relates, are now generally admitted. Of course the narrative is all fact. No one will believe that he, whose glance penetrated with such keenness the character of men and movements, looked with dimmer eye into his own heart. It is the spiritual process which the prophet actually passed through before the opening of his ministry. But it is that, developed by subsequent experience, and presented to us in the language of outward vision. Isaiah had been some years a prophet, long enough to make clear that prophecy was not to be for him what it had been for his predecessors in Israel, a series of detached inspirations and occasional missions, with short responsibilities, but a work for life, a profession and a career, with all that this means of postponement, failure, and fluctuation of popular feeling. Success had not come so rapidly as the prophet in his original enthusiasm had looked for, and his preaching had effected little upon the people. Therefore he would go back to the beginning, remind himself of that to which God had really called him, and vindicate the results of his ministry, at which people scoffed and his own heart grew sometimes sick. In chapter vi. Isaiah acts as his own remembrancer. If we keep in mind, that this chapter, describing Isaiah's call and consecration to the prophetic office, was written by a man who felt that office to be the burden of a lifetime, and who had to explain its nature and vindicate its results to his own soul--grown somewhat uncertain, it may be, of her original inspiration--we shall find light upon features of the chapter that are otherwise most obscure.