But in the fifth and most elaborate illustration (vv. 13, 14), we are once more carried back to the East. The slightest acquaintance with Oriental history will teach us how uncertain is the tenure of royal power; how often it has happened that a prisoner has been led from a dungeon to a throne, and a prince suddenly deposed and reduced to impotence and penury. Coheleth supposes such a case. On the one hand, we have a king old, but not venerable, since, long as he has lived, he has not "even yet learned to accept admonition;" he has led a solitary, selfish, suspicious life, secluded himself in his harem, surrounded himself with a troop of flattering courtiers and slaves. On the other hand, we have the poor but wise young man, "the affable youth," who has lived with all sorts and conditions of men, acquainted himself with their habits and wants and desires, and conciliated their regard. His growing popularity alarms the old despot and his minions. He is cast into prison. His wrongs and sufferings endear him to the wronged and suffering people. By a sudden outbreak of popular wrath, by a revolution such as often sweeps through Eastern states, he is set free, and led from the prison to the throne, although he was once so poor that none would do him reverence. This is the picture in the mind's eye of the Preacher; and, as he contemplates it, he rises into a kind of prophetic rapture, and cries, "I see--I see all the living who walk under the sun flocking to the youth who stands up in the old king's stead; there is no end to the multitude of the people over whom he ruleth!" (ver. 15).
By these graphic illustrations Coheleth sets forth the superiority of the sociable over the solitary and selfish temper, of union over isolation, of the neighbourly goodwill which leads men to combine for common ends over the jealous rivalry which prompts them to take advantage of each other, and to labour each for himself alone.
But even as he urges this better, happier temper on men occupied with business and public affairs, even as he contemplates its brightest illustration in the youthful prisoner whose winning and sociable qualities have lifted him to a throne, the old mood of melancholy comes back on him; there is the familiar pathetic break in his voice as he concludes (ver. 16), that even this wise youth, who wins all hearts for a time, will soon be forgotten; that "even this," for all so hopeful as it looks, "is vanity and vexation of spirit."
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A profound gloom rests on the second act of this Drama. It has already taught us that we are helpless in the grip of laws which we had no voice in making; that we often lie at the mercy of men whose mercy is but a caprice; that in our origin and end, in body and spirit, in faculty and prospect, in our lives and pleasures, we are no better than the beasts which perish: that the avocations into which we plunge, and amid which we seek to forget our sad estate, spring from our jealousy the one of the other, and tend to a lonely miserliness without use or charm. The Preacher's familiar conclusion--"Be tranquil, be content, enjoy as much as you can"--has grown doubtful to him. He has seen the brightest promise come to nought. In a new and profounder sense, "all is vanity and vexation of spirit."
But, though passing through a great darkness, he sees, and reflects, some little light. Even when facts seem to contradict it, he holds fast to the conclusion that wisdom is better than folly, and kindness better than selfishness, and to do good even though you lose by it better than to do evil and gain by it. His faith wavers only for a moment; it never wholly loosens its hold. And, in the fifth chapter, the light grows, though even here the darkness does not altogether disappear. We are sensible that the twilight in which we stand is not that of evening, which will deepen into night, but that of morning, which will shine more and more until the day dawn, and the daystar arise in the calm heaven of patient tranquil hearts.