The recital opens where the Jews delighted to trace their origin, in Ur of the Chaldees. These returned exiles from Babylon are reminded that at the very dawn of their ancestral history the same district was the starting-point. The guiding hand of God was seen in bringing up the Father of the Nation in that far-off tribal migration from Chaldaea to Canaan. At first the Divine action did not need to exhibit all the traits of grace and power that were seen later, because Abraham was not a captive. Then, too, there was no rebellion, for Abraham was faithful. Thus the first scene opens with the mild radiance of early morning. As yet there is nothing tragic on either side. The chief characteristic of this scene is its promise, and the author of the prayer anticipates some of the later scenes by interjecting a grateful recognition of the faithfulness of God in keeping His word. "For Thou art righteous," he says.[234] This truth is the keynote to the prayer. The thought of it is always present as an undertone, and it emerges clearly again towards the conclusion, where, however, it wears a very different garb. There we see how in view of man's sin God's righteousness inflicts chastisement. But the intention of the author is to show that throughout all the vicissitudes of history God holds on to His straight line of righteousness, unwavering. It is just because He does not change that His action must be modified in order to adjust itself to the shifting behaviour of men and women. It is the very immutability of God that requires Him to show Himself froward with the froward, although He is merciful with the merciful.
[234] Neh. ix. 8.
The chief events of the Exodus are next briefly recapitulated, in order to enlarge the picture of God's early goodness to Israel. Here we may discern more than promise; the fulfilment now begins. Here, too, God is seen in that specific activity of deliverance which comes more and more to the front as the history proceeds. While the calamities of the people grow worse and worse, God reveals Himself with ever-increasing force as the Redeemer of Israel. The plagues of Egypt, the passage of the Red Sea, the drowning of the Egyptians, the cloud-pillar by day and the pillar of fire by night, the descent on Sinai for the giving of The Law--in which connection the one law of the Sabbath is singled out, a point to be noted in view of the great prominence given to it later on--the manna, and the water from the rock, are all signs and proofs of God's exceeding kindness towards His people.
But now we are directed to a very different scene. In spite of all this never-ceasing, this ever-accumulating goodness of God, the infatuated people rebel, appoint a captain to take them back to Egypt, and relapse into idolatry. This is the human side of the history, shown up in its deep blackness against the luminous splendour of the heavenly background.
Then comes the marvellous third scene, the scene that should melt the hardest heart. God does not cast off His people. The privileges enumerated before are carefully repeated, to show that God has not withdrawn them. Still the cloud-pillar guides by day and the fire-pillar by night. Still the manna and the water are supplied. But this is not all. Between these two pairs of favours a new one is now inserted. God gives His "good Spirit" to instruct the people. The author does not seem to be referring to any one specific event, as that of the Spirit falling on the elders, or the incident of the unauthorised prophet, or the bestowal of the Spirit on the artists of the tabernacle. We should rather conclude from the generality of his terms that he is thinking of the gift of the Spirit in each of these cases, and also in every other way in which the Divine Presence was felt in the hearts of the people. Prone to wander, they needed and they received this inward monitor. Thus God showed His great forbearance, by even extending His grace and giving more help because the need was greater.