If we are thus led to accept what has been called "the shepherd hypothesis" the value of the book will be considerably enhanced. This is more than a mere love poem; it is not to be classed with erotics, although a careless reading of some of its passages might incline us to place it in the same category with a purely sensuous style of poetry. We have here something more than Sappho's fire. If we are tempted to compare it with Herrick's _Hesperides_ or Shakespeare's _Sonnets_, we must recognise an element that lifts it above the sighs of love-sick youths and maidens. Even on the "Solomon theory" pure love and simple living are exalted in opposition to the luxury and vices of the royal seraglio. A poem that sets forth the beauty of a simple country life as the scene of the true love of husband and wife in contrast to the degradation of a corrupt court is distinctly elevating in tone and influence, and the more so for the fact that it is not didactic in form. It is not only in kings' palaces and amid scenes of oriental voluptuousness that the influence of such ideas as are here presented is needed. Christian civilisation has not progressed beyond the condition in which the consideration of them may be resorted to as a wholesome corrective. But if we are to agree to the "shepherd hypothesis" as on the whole the more probable, another idea of highest importance emerges. It is not love, now, but fidelity, that claims our attention. The simple girl, protected only by her virtue, who is proof against all the fascinations of the most splendid court, and who prefers to be the wife of the poor man whom she loves, and to whom she has plighted troth, to accepting a queen's crown at the cost of deserting her humble lover, is the type and example of a loyalty which is the more admirable because it appears where we should little expect to find it. It has been said that such a story as is here depicted would be impossible in real life; that a girl once enticed into the harem of an oriental despot would never have a chance of escape. The eunuchs who guarded the doors would lose their heads if they allowed her to run away; the king would never give up the prey that had fallen into his trap; the shepherd lover who was mad enough to pursue his lost sweetheart into her captor's palace would never come out alive. Are we so sure of all these points? Most improbable things do happen. It is at least conceivable that even a cruel tyrant might be seized with a fit of generosity, and why should we regard Solomon as a cruel tyrant? His fame implies that there were noble traits in his character. But these questions are beside the mark. The situation is wholly ideal. Then the more improbable the events described would be in real life, the more impressive do the lessons they suggest become.
Who wrote the book? The only answer that can be given to this question is negative. Assuredly, Solomon could not have been the author of this lovely poem in praise of the love and fidelity of a country lass and her swain, and the simplicity of their rustic life. It would be difficult to find a man in all history who more conspicuously illustrated the exact opposites of these ideas. The exquisite eulogy of love--perhaps the finest in any literature--which occurs towards the end of the book, the passage beginning, "Set me as a seal upon thine heart," etc.,[5] is not the work of this master of a huge seraglio, with his "seven hundred wives" and his "three hundred concubines."[6] It is impossible to find the source of this poetry in the palace of the Israelite "Grand Monarch"; we might as soon light on a bank of wild flowers in a Paris dancing saloon. There is quite a library of Solomon literature, a very small part of which can be traced to the king whose name it bears, the greatness of this name having attracted attention and led to the ascription of various works to the royal author, whose wisdom was as proverbial as his splendour. It is difficult to resist the impression that in the present case there is some irony in the singular inappropriateness of the title.