[5] viii. 6, 7.
[6] 1 Kings xi. 3.
The date of the poem can be conjectured with some degree of assurance, although the language does not help us much in the determination of this point. There are archaisms, and there are also terms that seem to indicate a late date--Aramaic words and possibly even words of Greek extraction. The few foreign terms may have crept in under the influence of revisers. On the other hand the style and contents of the book speak for the days of the Augustan age of Hebrew history. The notoriety of Solomon's court and memories of its magnificence and luxury seem to be fresh in the minds of people. These things are treated in detail and with an amount of freedom that supposes knowledge on the part of the readers as well as the writer. There is one expression that helps to fix the date with more definiteness. Tirzah is associated with Jerusalem as though the two cities were of equal importance. The king says:--
"Thou art beautiful, O my love, as Tirzah, Comely as Jerusalem."[7]
[7] vi. 4.
Now this city was the northern capital for about fifty years after the death of Solomon--from the time of Jeroboam, who made it his royal residence,[8] till the reign of Omri, who abandoned the ill-omened place six years after his vanquished predecessor Zimri had burnt the palace over his own head.[9] The way in which the old capital is mentioned here implies that it is still to the north what Jerusalem is to the south. Thus we are brought to the half century after the death of the king whose name the book bears.
[8] 1 Kings xiv. 17.
[9] 1 Kings xvi. 18, 23, 24.
The mention of Tirzah as the equal of Jerusalem is also an evidence of the northern origin of the poem; for it is not at all probable that a subject of the mutilated nation of the south would describe the beauty of the rebel headquarters by the side of that of his own idolised city, as something typical and perfect. But the poem throughout gives indications of its origin in the country parts of the north. Shunem, famous as the scene of Elisha's great miracle, seems to be the home of the heroine.[10] The poet turns to all points of the compass for images with which to enrich his pictures--Sharon on the western coast,[11] Gilead across the Jordan to the east,[12] Engedi by the wilderness of the Dead Sea,[13] as well as the northern districts. But the north is most frequently mentioned. Lebanon is named over and over again,[14] and Hermon is referred to as in the neighbourhood of the shepherd's home.[15] In fact the poem is saturated with the fragrant atmosphere of the northern mountains.
[10] vi. 13.
[11] ii. 1.
[12] iv. 1.
[13] i. 14.
[14] iii. 9; iv. 8, 15; vii. 4.
[15] iv. 8.
Now this has suggested a striking inference. Here we have a picture of Solomon and his court from the not too friendly hand of a citizen of the revolted provinces. The history in the Books of Kings is written from the standpoint of Judah; it is curious to learn how the people of the north thought of Solomon in all his glory. Thus considered the book acquires a secondary and political meaning. It appears as a scornful condemnation of the court at Jerusalem on the part of the poorer and more simple inhabitants of the kingdom of Jeroboam and his successors.[16] But it also stands for all time as a protest against luxury and vice, and as a testimony to the beauty and dignity of pure love, stanch fidelity, and quiet, wholesome, primitive country manners. It breathes the spirit that reappears in Goldsmith's _Deserted Village_, and inspires the muse of Wordsworth, as in the poem which contrasts the dove's simple notes with the nightingale's tumultuous song, saying of the homely bird,