Bearing in her hand "an alabaster cruse of ointment," for a purpose which soon became apparent, she passed over to the place where Jesus sat, and stood directly behind Him. Accustomed as she had been to hide her deeds in the veil of darkness, nothing but the current of a deep emotion could have carried her thus through the door of the guest-chamber, setting her, alone of her sex, full in the glare of the lamps and the light of scornful eyes; and no sooner has she reached her goal than the storm of the heart breaks in a rain of tears, which fall hot and fast upon the feet of the Master. This, however, is no part of her plan; they were impromptu tears she could not restrain; and instantly she stoops down, and with the loosened tresses of her hair she wipes His feet, kissing them passionately as she did so. There is a delicate meaning in the construction of the Greek verb, "she began to wet His feet with her tears;" it implies that the action was not continued, as when afterwards she "anointed" His feet. It was momentary, instantaneous, checked soon as it was discovered. Then pouring from her flask the fragrant nard, she proceeded with loving, leisurely haste to anoint His feet, until the whole chamber was redolent of the sweet perfume.
But what is the meaning of this strange episode, this "song without words," struck by the woman's hands as from a lyre of alabaster? It was evidently something determined, prearranged. The phrase "when she knew that He was sitting at meat" means something more than she "heard." Her knowledge as to where Jesus was had not come to her in a casual way, in the vagrant gossip of the town; it had come by search and inquiry on her part, as if the plan were already determined, and she were eager to carry it out. The cruse of ointment that she brings also reveals the settled resolve that she came on purpose, and she came only, to anoint the feet of Jesus. The word, too, rendered "she brought" has a deeper meaning than our translation conveys. It is a word that is used in ten other passages of the New Testament, where it is invariably rendered "receive," or "received," referring to something received as a wage, or as a gift, or as a prize. Used here in the narrative, it implies that the cruse of ointment had not been bought; it was something she had received as a gift, or possibly as the wages of her sin. And not only was it prearranged, part of a deliberate intention, but evidently it was not displeasing to Jesus. He did not resent it. He gives Himself up passively to the woman's will. He allows her to touch, and even to kiss His feet, though He knows that to society she is a moral leper, and that her fragrant ointment is possibly the reward of her shame. We must, then, look behind the deed to the motive. To Jesus the ointment and the tears were full of meaning, eloquent beyond any power of words. Can we discover that meaning, and read why they were so welcome? We think we may.
And here let us say that Simon's thoughts were perfectly natural and correct, with no word or tone that we can censure. Canon Farrar, it is true, detects in the "This man" with which he speaks of Jesus a "supercilious scorn;" but we fail to see the least scorn, or even disrespect, for the pronoun Simon uses is the identical word used by St. Matthew (Matt. iii. 3), of John the Baptist, when he says, "_This_ is he that was spoken of by the prophet Esaias," and the word of the "voice from heaven" which said, "_This_ is My beloved Son" (Matt. iii. 17). That the woman was a sinner Simon knew well; and would not Jesus know it too, if He were a prophet? Doubtless He would; but as Simon marks no sign of disapproval upon the face of Jesus, the enigmatical "if" grows larger in his mind, and he begins to think that Jesus has scarcely the keen insight--the power of seeing through things--that a true prophet would have. Simon's reasoning was right, but his facts were wrong. He imagined that Jesus did not know "who and what manner of woman" this was; whereas Jesus knew more than he, for He knew not only the past of shame, but a present of forgiveness and hope.