A Brighter Day Begins with His Word.

New Schaff-Herzog Encyclopedia of Religious Knowledge • VOLUME 2

RELIGIOUS ENCYCLOPEDIA

['Herzog, J. J. (Johann Jakob), 1805-1882', 'Schaff, Philip, 1819-1893', 'Hauck, Albert, 1845-1918', 'Jackson, Samuel Macauley, 1851-1912', 'Sherman, Charles Colebrook, 1860-1927', 'Gilmore, George W. (George William), 1858-1933'] • Public-domain historical edition in the United States (published 1908); OCR from Internet Archive scan

RELIGIOUS ENCYCLOPEDIA

Biblical Criticism

particular document as a source. It deals with the genuineness, unity, integrity, and trustworthiness of a writing, asks whether it is as the author wrote it or whether it has been 4. His- corrupted or falsified, whether it re- Criticism. flects the k^it of the autnor assumed or of the times in which it is placed. Since it is seldom that explicit external testimony to a document is available, criticism usually proceeds upon internal evidence. But this is not always decisive. Conceivably, the tradition of Israel's sojourn in Egypt might have arisen out of the story of the Babylonian exile. So of the New Testament writings, the decision whether they are really documents of the apostolic age depends finally upon the judgment of their character as a whole and upon appraisement of the distance between them and the postapostolic and apocryphal literature.

The three points upon which the critic is intent are not of equal weight. Thus, though the authenticity of a writing be denied on internal grounds, the worth of the writing as a source is not thereby necessarily denied, for the document may have been produced anonymously, may be a genuine witness for the times in which it was written, and yet have had a name wrongly attached to it later. Examples of this are the Books of Samuel, the Gospel of Matthew, and the Epistle to the Hebrews, which last is a genuine document of the apostolic age, though the authorship is undetermined. So integrity does not of itself determine source-value. Investigation in this direction discovers gaps or additions and relates them to historic credibility. The final test has reference to this quality. Investigation into a writing as a whole leads to the discussion of its composition. Criticism of sources enters here, which on the basis of the linguistic character of the finished work and of its parts decides whether the work is a unit or is composite. In the latter case the questions arise what was the original form and how far it has been changed by the successive hands through which it has passed; whether the parts are in their original form or have been worked over, and in the latter case whether in some dogmatic interest. Such are the problems which arise respecting the Pentateuch and the Gospels. Decision in favor of the trustworthiness of a document in itself a unit and complete is carried a step further toward assurance by comparison with the general whole to which it belongs. This involves consideration of linguistic characteristics, of the circle of ideas in which it moves, the general trend of thought. Account is taken of external testimony. In this case error has to be guarded against, since the trustworthiness and competence of the witness is itself a subject for investigation. The criticism of the Epistle to the mhppians gives an illustration of the difficulties oi the process, where irreconcilably different conclusions have been reached by Baur, Holsten, and P- W.Schmidt.

The most important problem affecting credibility arises from the specific character of the Biblical narratives. What attitude shall be assumed toward miracles? How far are the reports legend-

ary or mythical? What is the relation of the religious idea to the question of the historicity of the reports and of their worth as sources? The position taken will depend upon the philosophical position of the critic. The theist does not disavow belief in miracles and values the divine self-consciousness of Jesus as testimony to his living participation in deity. But the historic spirit of the times enters a caveat by noting the limitation placed on the reporters by the characteristics of the times in which they lived. Moreover, he who accepts Jesus as a wonder-worker is not called on as a critic to prove the reports of miracles reliable; nor is he who accepts Jesus as God's son required to prove the stories of the infancy, analogies of which are so abundantly available. But with the recognition that there are obscurities in the reports of miracles and that poetry, legend, and myth are used by the Bible, the last word has not been spoken on the historicity of Biblical narratives. When the English minister Mitchell said in relation to the wars of Frederick the Great that the latter was fighting for the freedom of the human race, he gave an interpretation of history but did not alter the historic fact. It is then possible that without altering the facts the Gospels, under the impression made by the person of Jesus, acknowledge him as Son of God and Savior of the world. If the theologian speaks of salvation as a fact which has become known in history, that is not a dogmatic dislocation but a correct valuation of the historical order in which the Christian religion and its Old Testament precursor reveal themselves.

" Style is only the order and progress in which thought takes form; it supposes the union and exercise of all the intellectual faculties,

5. Criti- and it is the man " (Buff on). This Co?a utters the final decision in the reaching Style. of which the critical and hermeneutical faculties unite more closely than in the processes named above. It asks the question, what purposes did the writing have and how did it attain them? It takes into account the total impression made by the document, the progress of thought and the conception of history it embodies; it notes clearness and force or indefiniteness and unwieldiness, originality or accord with accustomed forms. And in the background is ever a reference to the historical setting and relationships. Historical criticism may show compositeness in a document and answer the question whether the elements are united by a loose idea or are worked into each other. In the latter case criticism of style shows the relation of the parts to the whole. When historical criticism has thoroughly investigated historical conditions and order, the question of credibility in a new sense arises. Was the purpose objective or personal, did the ideal enter into the personal, did personal interests and passion modify the objectivity of the writing? For documents run to Tendenz whenever they are not purely objective narrative.

The results from the processes so far reviewed are now positive, now negative. They produce decisions upon the completeness, reliability, and value of what has been transmitted.

Biblical Criticism

Historical source record →